Contra Zoom Pod Episode 347: Celebrating Filipino Cinema Part 2

by Contra Zoom | October 28, 2026

For Filipino American Heritage Month, Contra Zoom looks at 3 films, including Forgotten Island, Filipiñana, and First Comes Love: Nakabingwit.

The Devils Review: Ken Russell’s 1971 Masterpiece Returns in Its Truest, Most Complete Form

by Mel Valentin | October 26, 2026

Ken Russell's 1971 masterpiece, The Devils, returns in its truest, most complete form.

Your Invite to the Year of Penélope Cruz

by Pat Mullen | October 24, 2026

An interview with Penélope Cruz on The Invite and an extraordinary performance that could help make Oscar history in her incredible year.

FILM

The Devils Review: Ken Russell’s 1971 Masterpiece Returns in Its Truest, Most Complete Form

Ken Russell's 1971 masterpiece, The Devils, returns in its truest, most complete form.
Your Invite to the Year of Penélope Cruz

An interview with Penélope Cruz on The Invite and an extraordinary performance that could help make Oscar history in her incredible year.
Wicker Review: Seasoned Wood Buoys Warm Fable

Wicker is a surprisingly tender feminist romance that has more to say about gender politics, love, and relationship dynamics than any other film this year.

Wicker movie review: Olivia Colman and Alexander Skarsgard

Wicker Review: Seasoned Wood Buoys Warm Fable

by Rachel West | October 23, 2026

Wicker is a surprisingly tender feminist romance that has more to say about gender politics, love, and relationship dynamics than any other film this year.

John Turturro stands in the foreground of a image of New York City's Chinatown neighbourhood, with street signs and lanterns behind him.

The Only Living Pickpocket in New York Review: Turturro Shines in Uneven Crime Drama

by Andrea Miller | October 22, 2026

The beloved character actor takes the lead in a film that asks for a sympathetic view of a man who takes from others.

Helen Mirren Embraces Patricia Highsmith’s Dark Side

by Pat Mullen | October 22, 2026

An interview with Helen Mirren on playing Patricia Highsmith in A Talent for Murder and embracing the dark side of a famed Talented Mr. Ripley author.

TV

Gary Oldman Follows His Nose with Slow Horses

An interview with Gary Oldman about diving into his dishevelled spy Jackson Lamb on season six of Slow Horses and learning the character as the series evolves.
Primetime Review: It Takes One to Know One

Robert Pattinson gives a tour-de-force performance in Primetime as sicko journalist and To Catch a Predator host Chris Hansen.
3 Things You Need to Know About Chad Powers Season 2

Season 2 of Chad Powers is here! Glen Powell, Steve Zahn, and the cast of the series give us a sneak peek at what to expect.

A Talent for Murder Review: Mirren Is Sharp as a Dagger

by Colin Biggs | October 22, 2026

A cat-and-mouse game reminiscent of Sleuth, A Talent for Murder succeeds because of its two capable leads, Helen Mirren and Alden Ehrenreich.

La Bola Negra Review: A Swoon-Worthy Masterpiece

by Pat Mullen | October 22, 2026

La Bola Negra is a sweeping epic pays tribute to lost lives and loves by connecting the stories of gay men across generations.

Jim Queen Review: Bottoms’ Up for Sassy Animated Film

by Pat Mullen | October 21, 2026

The fun and flamboyant Jim Queen follows a beefcake Adonis and his trusty twink as they explore gay subcultures and confront stereotypes.

PODCASTS

Contra Zoom Pod Episode 347: Celebrating Filipino Cinema Part 2

For Filipino American Heritage Month, Contra Zoom looks at 3 films, including Forgotten Island, Filipiñana, and First Comes Love: Nakabingwit.
Contra Zoom Pod Episode 346: 2026 VIFF Wrap Up

The Vancouver International Film Festival just finished, and Contra Zoom Pod talks about some of their favourite films that were screened.
Contra Zoom Pod Episode 344: Interview With Matthew Rankin of Ladies and Gentlemen, Brian Mulroney

On the latest Contra Zoom Pod they interview Matthew Rankin about his film Ladies and Gentlemen, Brian Mulroney, which had its world premiere at TIFF.

Wildwood Review/Interviews: The Making of Laika’s Modern Animation Masterpiece

by Jason Gorber | October 21, 2026

Editor-in-Chief Jason Gorber reviews the instant animated classic Wildwood, and interviews the creative team behind Laika's latest

Comparing CSN: Crosby, Stills and Nash on Rhino High Fidelity Vinyl

by Jason Gorber | October 21, 2026

Editor-in-Chief Jason Gorber compares multiple copies of Crosby, Stills & Nash's self titled recording related to the latest Rhino High Fidelity release

What to watch at the 2026 Windsor International Film Festival: Paper Tiger, I Play Rocky, Dancing on the Elephant

25 Films to Watch at the 2026 Windsor International Film Festival

by Rachel West | October 19, 2026

From buzzy awards films to Canadian must-sees, here are 25 films to watch at the 2026 Windsor International Film Festival.

Inside the Magic of Wildwood at Laika Studios

by Pat Mullen | October 18, 2026

A behind the scenes tour of Laika studios reveals the magic of Wildwood, the Portland hub's most ambitious stop-motion animated feature yet.

Street Fighter Review: Levelling up the Franchise

by Sarah Gopaul | October 17, 2026

Street Fighter is a redemptive adaptation that retains the best parts of the video game and its cinematic precursor.

Whalefall Review: An Impressively Middling Survival Thriller

by Mel Valentin | October 16, 2026

Whalefall is a technically impressive but dramatically middling survival thriller that succeeds more often than it fails.

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La Bola Negra weaves together three timelines to explore queer love, identity, and the stories that survive across generations. From a musician navigating love and survival during the Spanish Civil War to a playwright uncovering a forgotten piece of queer history in contemporary Spain, the film connects lives shaped by stigma, loss, and the courage to be true to oneself. With soulful music, a richly interconnected narrative, and outstanding performances led by Guitarricadelafuente and Penélope Cruz, the film becomes a moving tribute to queer artists and the histories that deserve to be remembered. Directors Javier Ambrossi and Javier Calvo build on Federico García Lorca’s unfinished play to create an expansive, deeply felt celebration of LGBTQ+ lives, love, and artistic expression. 📝 Full review by Pat Mullen now up on That Shelf (and at the link in our bio).
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With just 34 days before reporting to federal prison, Elizabeth Holmes invites filmmakers Nathan Fielder and Lance Oppenheim into her home for an unrestricted look at her life. What begins as an offer of complete access becomes an unsettling exploration of truth, performance, and the difficulty of knowing who someone really is. Balancing uncomfortable humour with a fascinating sense of ambiguity, the documentary refuses to offer easy answers about Holmes or her carefully constructed public image. Through intimate cinematography, intricate editing, and Fielder’s signature awkwardness, it challenges audiences to question what they’re seeing, making for an ambitious, thought-provoking film that lingers long after it ends. 📝 Full review by Lyle Kruger now up on That Shelf (and at the link in our bio).
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Rest in peace, Tom Skerritt (1933–2026). A familiar and commanding presence on screen for more than six decades, Skerritt built a remarkable career across film and television, bringing a quiet authority and understated humanity to every role. From Captain Dallas in Alien and Viper in Top Gun to his performances in MASH*, The Turning Point, Steel Magnolias, and A River Runs Through It, he became part of some of cinema’s most enduring stories. On television, he earned an Emmy Award for his portrayal of Sheriff Jimmy Brock in Picket Fences, a role that showcased his ability to balance strength, warmth, and humour. Whether playing a military commander, a father, or a small-town sheriff, Skerritt had a way of making his characters feel grounded and real. With a career spanning generations and more than 170 film and television credits, he leaves behind a body of work that will continue to find new audiences. Thank you for the performances and the lasting mark you left on cinema.
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Street Fighter brings the iconic video game franchise back to the big screen, following estranged brothers Ryu and Ken as they reunite for the World Warrior Tournament. But with M. Bison plotting to harness the fighters’ power for his own sinister purposes, the competition soon becomes a battle for the fate of the world. Packed with spectacular fight sequences, nostalgic references, and a soundtrack that takes audiences straight back to the ’90s, the film delivers a major upgrade over its predecessor. With a perfectly matched cast, genuinely funny dialogue, and faithful recreations of the game’s signature moves, it balances fan service with entertaining action that newcomers can enjoy, too. 📝 Full review by Sarah Gopaul now up on That Shelf (and at the link in our bio).
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Whalefall follows Jay Gardiner, a young scuba diver who finds himself trapped inside a sperm whale and facing an increasingly desperate fight for survival. But as he struggles to escape before his oxygen runs out, the experience also forces him to confront unresolved grief and his complicated relationship with his late father. Led by Austin Abrams, the film delivers an intense underwater survival thriller with impressive technical work and a convincing sense of claustrophobia. However, its exploration of grief and family trauma struggles to match the tension of its central premise, relying on familiar character arcs and heavy-handed emotional beats that leave its themes feeling muddled. 📝 Full review by Mel Valentin now up on That Shelf (and at the link in our bio).
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What does it mean to see and hear yourself represented on screen? In his feature directorial debut, California Schemin’, James McAvoy tells the true story of Scottish rappers Silibil N’ Brains, who found success by pretending to be American. In this interview with That Shelf, McAvoy discusses the importance of staying true to the Scottish identity at the heart of the film, bringing the duo’s story to life, and why everyone deserves to see their own experiences reflected in cinema. 📝 Full interview by Pat Mullen now up on That Shelf (and at the link in our bio).
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The Social Reckoning revisits the world of Facebook, following data scientist Frances Haugen and Wall Street Journal journalist Jeff Horwitz as they investigate the company’s role in spreading harmful content and radicalizing users. Set between 2019 and 2021, the film examines the consequences of prioritizing profit over people in the social media industry. Despite tackling an urgent and relevant subject, Aaron Sorkin’s follow-up struggles to offer fresh insights into the damage caused by social media. While the story raises important questions about corporate responsibility and the power of technology, underdeveloped characters, an awkward central relationship, and uninspired direction prevent the film from reaching its full potential. 📝 Full review by Mel Valentin now up on That Shelf (and at the link in our bio).
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Six seasons into Slow Horses, Gary Oldman continues to find new layers in Jackson Lamb, the sharp-tongued, dishevelled spy at the centre of the series. In conversation with That Shelf at TIFF, Oldman reflects on playing Lamb over multiple seasons, the character’s history and hidden vulnerabilities, and the parallels between Lamb and another of his iconic spies, George Smiley. He also shares how adapting Mick Herron’s novels allows him to keep discovering new details about a character who carries years of history and baggage. 📝 Full interview by Pat Mullen now up on That Shelf (and at the link in our bio).
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Your Mother Your Mother Your Mother follows Latif, a devout Muslim and hitman whose life takes a turn after his wife’s death leaves him caring for their three children. With his infant refusing formula and their supply of breast milk running out, Latif must navigate a dangerous world of crime and violence while trying to provide for his family. Mahershala Ali delivers an extraordinary performance in this striking blend of crime thriller, dark comedy, and religious parable. Bassam Tariq explores faith, fatherhood, hypocrisy, and forgiveness without losing sight of the tenderness at the film’s heart. Despite some uneven pacing near the end, it’s a bold, moving, and unforgettable film that stands apart from anything else this year. 📝 Full review by Lyle Kruger now up on That Shelf (and at the link in our bio).
3 weeks ago
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