This week the Loose Cannons return to the world of Swedish sexploitation to discuss 1971's Maid in Sweden.
We're celebrating the arrival of the Loose Cannons podcast on Dork Shelf with a very special interview. The Loose Cannons speak with filmmaker Hilla Medalia, the director of the documentary The Go-Go Boys: The Inside Story of Cannon Films.
It’s the Loose Cannon’s second dip into the Cannon archives with the discovery of a grimy VHS copy of Cannon’s even-grimier 1968 western The Wicked Die Slow.
The Loose Cannons hit the first horror in the Cannon canon—Cauldron of Blood, aka Blind Man’s Bluff, “starring” Boris Karloff.
Guess what the Loose Cannons learned today! Not much, to be honest—not even enough to stop accidentally calling this movie Guess Who’s Coming to Dinner? because it’s an easy mistake to make, ok?
We return with episode five of Loose Cannons… but shouldn't this have been episode one? Yes, as promised, your hosts have returned to review the previously considered lost first Cannon release ever, The Love Rebellion.
The Loose Cannons finally hit a film they feel they can unreservedly recommend—John G. Avildsen’s proto-vigilante flick/thoughtful rumination on class and race in early 1970s America, Joe!
Excitement for the Loose Cannons as after two doses of grimy Swedish sexploitation we hit a ‘real’ movie from a ‘real’ director: Alejandro Jodorowsky’s debut, Fando y Lis!
The Loose Cannons return with Joseph W. Sarno’s follow-up to Inga, the awkwardly titled To Ingrid, My Love, Lisa.
In this first episode of the Loose Cannons podcast, your hosts Mathew Kumar and Justin Decloux discuss Inga, Joseph W. Sarno’s 1968 erotic drama.