Frasier 2023: Paramount’s Revival Lacks Strong New Characters
Paramount's new Frasier reboot rehashes storylines in ways that pale in comparison to the original yet desperately attempt to replicate it.
Dumb Money: An Exercise In Truth, Lies and Storytelling
Dumb Money tells the story of the GameStop short squeeze—but just how accurate is it?
American Born Chinese: Stock Adventure is a Barometer for Asian Representation
Despite tired cliches, 'American Born Chinese' reframes a key tension of the Asian American experience in a new and positive way.
It’s Time to Embrace the 3-Hour-Long Blockbuster Again
As much as we love spending time in the Spider-verse, we cannot help but wonder what could have been had the film been 3-hours long.
Ted Lasso Season 3: A Self-Professed Rom-Com Chooses Cynicism
The beloved comedy series committed an act of self-destruction by toying with its audience.
Did We Really Need a Retelling of Fatal Attraction?
Who is this new version for, exactly?
How Shelved is a Librarian Love Letter to TV’s Best Sitcoms
CTVs 'Shelved' pulls from many popular workplace sitcoms, but translates them to its unique new setting: the public library.
Why Poker Face Is The New Columbo
Idiot-box aficionados know that Poker Face is paying homage to Columbo, but it also gives us something new and modern to root for.
Jeremy LaLonde Remembers Gordon Pinsent
Jeremy LaLonde pays tribute to the Canadian icon, painting a personal picture of Gordon Pinsent's kindness and generosity.
The Last Jedi Retrospective: Disney’s Last/Best Chance to Make a Great Star Wars Film
With five years of hindsight (and the horrendous Rise of Skywalker), The Last Jedi was Disney's best chance to make a great Star Wars film.
Tár Is the Most Manipulative Film of the Year
Some critics call Todd Field's Tár the year's true masterpiece, but is it the 2022's most manipulative film?
How Halloween Must End
Moviegoers know that a studio will never kill Michael Myers permanently – there's too much money in reboots – but there's only one way Halloween should end:
A Look Back At Jean-Marc Vallée’s Café De Flore
An essential part of Jean-Marc Vallee’s filmography, Café de Flore is a film that is meant to be experienced and revisited.
Night Raiders and Beans: Two Films, One Horror
Danis Goulet's Night Raiders and Tracey Deer's Beans lead us to the same realization, in two completely different ways.
Don’t Breathe 2’s Anti-Hero Problem
Why do characters often "turn face" in sequels and remakes?
