Jeff and Will are joined by new contributor Jesse and our friend Emily for this super-sized edition of the Dork Shelf Podcast. It has been a while since our last show, so we have a lot of catching up to do. We recap Fan Expo and the Toronto International Film Festival, talk about the games, films and comic books that have been entertaining us on the commode, and some of the many amazing dorky events happening in Toronto over the next few weeks.
Korean cinema has churned out its fair share of revenge thrillers, chief among them being Sympathy for Mr. Vengeance and Oldboy. Kim Ji-Woon’s I Saw the Devil might not be as good as these films, but it is a solid revenge thriller that abandons any pretence of satisfaction and keeps piling on the tragedy.
Quirky and original new film from Canadian director and screenwriter Daniel Cockburn. Its plot is certainly hard, if not impossible, to summate, as a traditional plot as such does not exist. But that certainly doesn’t mean the film has no story; far from it.
What do you get when you cross a Hollywood-style college sex comedy with a bizarre sci-fi-demon-cult adventure mystery? You get the latest film from Gregg Araki, Kaboom. Returning to the form of his earlier films such as The Doom Generation, Araki takes the audience on a strange ride through one teenager’s search for his sexual identity and investigation of a possible demon cult.
When Joaquin Phoenix announced he was retiring from acting to pursue a music career in 2008, people were right to be suspicious. Even if substance abuse or mental health issues had been involved, the actor's transformation from clean-cut talent to aloof hobo-chic seemed too drastic and too sudden to stomach. It was sad to see a person self-destruct so publicly, but we watched him do it anyways, and that's where the brilliance of Casey Affleck's mockumentary I'm Still Here comes in.
While Guillermo del Toro might not have directed a film in a while, he has not been idle. His producing credits show a devotion to and invigoration of the Spanish film industry, in particularly in the horror and thriller genre. Following in the footsteps of his success with The Orphanage, del Toro has produced Guillem Morales’ latest thriller Julia’s Eyes.
We caught up with Stargate Universe actor David Blue at Fan Expo this year and were very pleased to discover that he more than lives up to his character's dorky reputation. Blue plays resident geek Eli Wallace on the sci-fi series, helping to save the Destiny with his genius and dropping delightfully nerdy references in a charming, yet slightly inept attempt to lighten the mood of his fellow space castaways.
It is with a combined sense of shame and excitement when I admit that I had only seen one Frederick Wiseman film in its entirety prior to screening his latest gem, Boxing Gym. Shame because I could name a dozen titles of his recommended by as many people, and excitement because this film has motivated me to finally donate some time to the observational cinema of this true auteur.
It must be hard to be a director like John Carpenter. When you create such classics as Halloween, The Thing and Escape from New York within four years, any subsequent films will never apparently measure up. And his new film The Ward, does not, but it is still a solid old-school horror film with plenty of scares and a twist that is only obvious after the fact.
The Australian film industry seems to have a knack for churning out two great kinds of films: campy Abba-inspired comedies, and dark taut thrillers. For the latter, it might be do to the country’s criminal ancestry, but Australian crime films concentrate on the human element, the things that make people evil, or do evil things. […]
Exhausted your Netflix cue? How are you going to spend those lazy afternoons off work? Or a super late night where you feel like watching something new? Netflix may not have more to show you but there are plenty of other ways to stay entertained.