Shelf Help: Canadian Cinematic Gems

Join us in celebrating National Canadian Film Day on April 17. Our country’s rich and unique culture is often reflected in a slew of under-appreciated cinematic gems, a treasure trove that often remains undiscovered even by Canadian movie lovers. These films, with their distinct Canuck flavour, are a testament to our loonie and budding creativity. We asked our That Shelf staff of writers to weigh in with their picks for a Canadian film that should be on everyone’s watch list. So kick off your festivities by adding a few of our favourites to your #CanFilmDay viewing schedule. – Kate MacDonald

 

City of Gold NFB

City of Gold (1957)

“Best of” lists too often favour dramatic features due to laziness, but decades of Canadian film history consist mainly of documentaries and shorts. With that in mind, I’ll plug Colin Low and Wolf Koenig’s classic Oscar-nominated NFB documentary City of Gold, the best work from two of this country’s formative filmmakers. It’s a fantastic portrait of mining life in the Yukon, and the riches and hardships entailed in searching for gold in ‘them thar hills.’ The film illustrates how archival material can assume a dynamic force with the right aesthetic and was a key work in pioneering the method of zooming in on a photo while panning, which was later adopted by Ken Burns and popularized as the “Ken Burns effect”…but we got there first! – Pat Mullen

 

Last Night

Last Night (1998)

Don McKellar’s debut feature film as a director that he also wrote and starred in about the world ending. What would you do if you knew the world was ending? McKellar’s Patrick wants to spend his last moments on earth alone, but fate has other ideas for him. Including a fake Christmas dinner hosted by his parents and helping a stranded woman played by Sandra Oh as she tries to find her husband. Also features a delightful supporting performance from David Cronenberg, who runs a power plant and decides to call every single customer to thank them for their patronage. Last Night is heartfelt and funny, but also will make you emotional as you contemplate how you would spend your last day alive. – Dakota Arsenault 

 

The Body Remembers When The World Broke Open (2019)

The Body Remembers When the World Broke Open discusses an important issue within Canada: the all-too-common domestic abuse cases involving Indigenous women. Based on real-life experiences, the film captivates the harrowingly authentic situations through eerily long takes that reflect real-time. Its cinematography draws you in and the magnifying glass it holds up to the horror fills you with emotion that most fiction simply can’t achieve. I recommend all Canadians give themselves a chance to sit with this exquisite film. – Kate MacDonald

 

Incendies

Incendies (2010)

I hadn’t seen it until I recently did a deep dive into Denis Villeneuve’s filmography and I’m recommending it to everyone. – Colin Biggs

Incendies is also recommended by Joe Lipsett.

 

Psycho Goreman

Psycho Goreman

– Rachel West

 

Beans

Beans (2020)

Tracey Deer’s feature debut is a superb coming-of-age tale set alongside (and within) one of the darkest and most important events in recent Canadian history. Forced out of childhood innocence amid the turbulence of 1990’s 78-day Kanehsatà:ke Resistance (also known as the Oka Crisis), 12-year-old Tekehentahkhwa (‘Beans’) matures quickly and discovers the strength necessary to stand proudly alongside her Mohawk community in protest. Deer’s own life radical experiences formed the basis of the story and that connection, alongside a stand-out performance from newcomer Kiawentiio as Beans, packs an emotional wallop that will sit with you long after the credits roll. As Canada continues to grapple with its (historic AND current) mistreatment and abuse of First Nations people, Beans is an important, intimate reminder to learn from our mistakes. It also demonstrates why cinematic storytelling is one of the most potent tools available to highlight and communicate diverse experiences, and to ensure important moments and lessons are not forgotten. – Emma Badame



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