Ben Kingsley

Home Entertainment Round-Up: 3/9/14

As we dig out from under the pile of Blu-Ray and DVD releases that have come into the office this month, we take a look at Criterion editions of Soderbergh's underrated King of the Hill and Truffaut's Jules and Jim, Blu-rays for Thor: The Dark World, Nebraska, Wadjda, and Blue is the Warmest Color, and a DVD of the found footage thriller Banshee Chapter.

TIFF Next Wave 2014: A Birder’s Guide to Everything Review

A Birder’s Guide to Everything If one were to cross a low-key modern American indie with a 1980s coming of age road comedy, you would get something close to the amusing and thoughtful debut feature from Rob Meyer, A Birder’s Guide to Everything. Both a better breed of teen movie than audiences normally get and […]

Ender’s Game Review

Ender's Game might be the perfect example of why sites like Rotten Tomatoes or even simple grading systems should be abolished in film criticism. It's a film that gets just as much right as it does wrong, delighting and maddening in almost equal amount. It defies recommendation and condemnation in the same breath, but it sure is interesting to talk about in depth.

Interview: Don Cheadle

Dork Shelf chats with Iron Man 3 actor Don Cheadle to talk about playing Tony Stark's best friend James "Rhodey" Rhodes, working with Shane Black and Robert Downey Jr., his own experiences with comics, and much more.

The Dictator Review

The Dictator is simultaneously tasteless and toothless – a provocation in search of a point, taking a potentially explosive premise and reducing it to the level of a mediocre studio comedy and never living up to any of its transgressive promises.

Hugo Review

Hugo is the kind of ambitious and earnest miscalculation that could only be made by someone with great love and passion. For his latest film, Martin Scorsese adapts author Brian Selznick’s children’s book The Invention of Hugo Cabret, but at the same time takes the material so personally that the film’s good intentions are often ungainly and out of alignment with the actual story of the film. The material is definitely within Scorsese’s field of vision, but the famed director loses sight of audience expectations and creates a film wholly for the most academic fans of film studies.