Showrunners David Benioff and D. B. Weiss have gone on the record multiple times in the past saying that getting to the third season of Game of Thrones was their primary objective at the show’s outset. More specifically, they had set the singular objective of building towards a single scene in a single episode. That scene played itself out in shocking and gory fashion this week in episode nine, “The Rains of Castamere.”
It’s wedding season in the seven kingdoms as the first of four planned nuptials finally gets underway. Much of this week’s episode, “Second Sons," concerns the union of Sansa and Tyrion, which turns out to be exactly as sad and awkward as you would expect a forced wedding between a middle-aged dwarf and a 14-year-old girl to be.
In "The Bear and the Maiden Fair" it’s couples night in Westeros as we gear up for no less than three weddings. Sadly, it seems that the awards for happiest couple can go to several candidates other than the betrothed.
Last week’s episode ended on a high point for the series, as Daenerys acquired an army of Unsullied and burned Astapor from the inside out with the help of her dragons. This week's episode, appropriately titled "Kissed by Fire," begins with just as much energy and a healthy helping of fire to boot.
Titled “And Now His Watch Is Ended,” the fourth episode of Game of Thrones’ third season is by far the busiest and best episode we’ve seen yet. It could well represent a turning point for the season, which until this point has sort of oozed along in a relatively disjointed fashion.
Viewers attempting to detect any overarching themes or internal consistency in episode three of season three of Game of Thrones, entitled "Walk of Punishment," might be left stumped. Sort of like Jaime Lannister.
In “Dark Winds, Dark Words”, the action is mercifully contained in Westeros. I’ve been critical of the show so far this season for struggling to juggle the myriad plots, characters and locales, but this episode did a relatively strong job of weaving everything together.
In the premiere episode of the third season of Game of Thrones, titled “Valar Dohaeris” (a term that means “all men must serve” in High Valyrian) we’re quickly reminded of the stakes of the game. Reintroducing us to the world of Westeros and its inhabitants, the show continues to bring more to the table than it takes off. But will that leave some viewers confused?
The premiere episode of the third season of Game of Thrones opens way up North of the wall with Samwell Tarly running (not very quickly) away from a Wight attacker. The landscapes are breathtaking, the set pieces are exciting, the costuming is pitch perfect, and the plot lines are consuming. There’s also lots of gratuitous sex scenes and loads of gory, shocking bloodshed. In short, Game of Thrones still excels at what it does well.
Enter for a chance to win one of ten pairs of passes to the red carpet opening of Game of Thrones: The Exhibition in Toronto (on March 8) with series star Rose Leslie (Ygritte) in attendance courtesy of Dork Shelf and The Movie Network.
We review a whopping 7 films currently out on DVD. There's a whole bunch of good, not great and a couple of real stinkers as we look at Sherlock Holmes: A Game of Shadows, Ghost Rider: Spirit of Vengeance, Machine Gun Preacher, The Collapsed, Madison County, The Prodigies, and Demoted
While technically a step up in quality from the first film in terms of storytelling, the second entry in the somewhat unnecessary Ghost Rider franchise still manages to feel like a bit of a missed opportunity given the talent both in front of and behind the camera. A film starring Nicolas Cage and directed by the duo of Mark Neveldine and Brian Taylor (Crank, Gamer) should be balls to the wall, action packed insanity. Instead, what we get is a film that feels curiously neutered in terms of content and budget.
If The Woman in Black is any indication, Daniel Radcliffe will be very savvy when it comes to choosing his post-boy wizard roles. A pitch perfect bit of period horror with menace to spare, this is exactly the kind of film that Harry Potter fans who grew up with the actor would just be starting to get into at their point in their lives. While not reinventing the wheel in any way, director James Watkins has crafted a thoroughly efficient and thrilling genre exercise that evokes favourable comparisons to the works of Wes Craven and Sam Raimi.
An intense new trailer for Tinker, Tailor, Soldier, Spy has hit the web. The film — an adaptation of the John le Carré's novel of the same name — is the first English-language effort from Let the Right One In director Tomas Alfredson. Set during the coldest days of the Cold War, semi-retired spy George Smiley (Gary Oldman) is enlisted by MI6 to help sniff out a Soviet double agent within their ranks.