creature Archives - That Shelf

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The A Quiet Place: Part II Trailer Dares You Not to Scream

by Victor Stiff | January 2, 2020

The survivors from A Quiet Place continue their fight for survival as they venture into the outside world and discover new threats.

Conquering the Empire – Parasite (1982)

by Doug Tilley | September 3, 2016

Doug Tilley reviews Charles Band's 3D post-apocalyptic horror film Parasite (1982) as part of his Empire International Pictures retrospective.

WSFF: The Final Weekend

by That Shelf | June 8, 2012

As we head into the final weekend of the 18th annual Worldwide Short Film Festival, Brandon Bastaldo and Jenna Hossack take a look at some of the great programs taking place during the WSFF's stacked final weekend.

Creature Review

by That Shelf | September 9, 2011

There might not be a more colossal misfire this year than Creature . That’s not to say that it’s the worst horror film of the year. but there are a few things worth recommending in this tale of a monster living in the Louisiana bayou. Worst of all, Creature feels no need to overcome its shortcomings by at least being fun. There’s very little joy to be had in how bad this film is.

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A Talent for Murder follows reclusive author Patricia Highsmith during her final years in Switzerland, where a publishing representative named Edward Ridgeway arrives hoping to convince her to write another Tom Ripley novel. What begins as a battle of wills soon turns into a dangerous game of manipulation, lies, and murder as the two collaborate on a new story. Helen Mirren relishes the chance to play the sharp-tongued, unpredictable author, trading deliciously cutting insults with Alden Ehrenreich in a gripping battle of wits. While the film occasionally loses momentum and its psychological thriller elements could go further, the strong performances, dark humour, and eerie atmosphere make for an entertaining mystery. 📝 Full review by Colin Biggs now up on That Shelf (and at the link in our bio).
8 hours ago
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1/9

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Rest in peace, Patrick Stewart (1940–2026). A distinguished actor whose career spanned more than six decades, Patrick Stewart brought an unmistakable presence, intelligence, and depth to every role he inhabited. Best known to generations of audiences as Captain Jean-Luc Picard in Star Trek: The Next Generation, he helped define one of science fiction's most beloved characters, carrying that legacy across films, television, and countless adventures throughout the Star Trek universe. He also became an iconic part of the X-Men franchise as Professor Charles Xavier, bringing warmth, wisdom, and humanity to the legendary mutant leader. Beyond these defining roles, his remarkable filmography includes Excalibur, Dune, Robin Hood: Men in Tights, and Green Room. Before becoming a household name on screen, Stewart spent years honing his craft with the Royal Shakespeare Company, building a celebrated stage career that reflected his extraordinary command of language and performance. Equally at home in Shakespearean drama, science fiction, comedy, and animation, he was an actor whose versatility extended far beyond his most recognizable characters. His contributions to theatre, film, and television leave behind an extraordinary legacy. Live long and prosper, Sir Patrick.
17 hours ago
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2/9

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La Bola Negra weaves together three timelines to explore queer love, identity, and the stories that survive across generations. From a musician navigating love and survival during the Spanish Civil War to a playwright uncovering a forgotten piece of queer history in contemporary Spain, the film connects lives shaped by stigma, loss, and the courage to be true to oneself. With soulful music, a richly interconnected narrative, and outstanding performances led by Guitarricadelafuente and Penélope Cruz, the film becomes a moving tribute to queer artists and the histories that deserve to be remembered. Directors Javier Ambrossi and Javier Calvo build on Federico García Lorca’s unfinished play to create an expansive, deeply felt celebration of LGBTQ+ lives, love, and artistic expression. 📝 Full review by Pat Mullen now up on That Shelf (and at the link in our bio).
3 days ago
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3/9

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With just 34 days before reporting to federal prison, Elizabeth Holmes invites filmmakers Nathan Fielder and Lance Oppenheim into her home for an unrestricted look at her life. What begins as an offer of complete access becomes an unsettling exploration of truth, performance, and the difficulty of knowing who someone really is. Balancing uncomfortable humour with a fascinating sense of ambiguity, the documentary refuses to offer easy answers about Holmes or her carefully constructed public image. Through intimate cinematography, intricate editing, and Fielder’s signature awkwardness, it challenges audiences to question what they’re seeing, making for an ambitious, thought-provoking film that lingers long after it ends. 📝 Full review by Lyle Kruger now up on That Shelf (and at the link in our bio).
7 days ago
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4/9

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Rest in peace, Tom Skerritt (1933–2026). A familiar and commanding presence on screen for more than six decades, Skerritt built a remarkable career across film and television, bringing a quiet authority and understated humanity to every role. From Captain Dallas in Alien and Viper in Top Gun to his performances in MASH*, The Turning Point, Steel Magnolias, and A River Runs Through It, he became part of some of cinema’s most enduring stories. On television, he earned an Emmy Award for his portrayal of Sheriff Jimmy Brock in Picket Fences, a role that showcased his ability to balance strength, warmth, and humour. Whether playing a military commander, a father, or a small-town sheriff, Skerritt had a way of making his characters feel grounded and real. With a career spanning generations and more than 170 film and television credits, he leaves behind a body of work that will continue to find new audiences. Thank you for the performances and the lasting mark you left on cinema.
1 week ago
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5/9

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Street Fighter brings the iconic video game franchise back to the big screen, following estranged brothers Ryu and Ken as they reunite for the World Warrior Tournament. But with M. Bison plotting to harness the fighters’ power for his own sinister purposes, the competition soon becomes a battle for the fate of the world. Packed with spectacular fight sequences, nostalgic references, and a soundtrack that takes audiences straight back to the ’90s, the film delivers a major upgrade over its predecessor. With a perfectly matched cast, genuinely funny dialogue, and faithful recreations of the game’s signature moves, it balances fan service with entertaining action that newcomers can enjoy, too. 📝 Full review by Sarah Gopaul now up on That Shelf (and at the link in our bio).
1 week ago
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6/9

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Whalefall follows Jay Gardiner, a young scuba diver who finds himself trapped inside a sperm whale and facing an increasingly desperate fight for survival. But as he struggles to escape before his oxygen runs out, the experience also forces him to confront unresolved grief and his complicated relationship with his late father. Led by Austin Abrams, the film delivers an intense underwater survival thriller with impressive technical work and a convincing sense of claustrophobia. However, its exploration of grief and family trauma struggles to match the tension of its central premise, relying on familiar character arcs and heavy-handed emotional beats that leave its themes feeling muddled. 📝 Full review by Mel Valentin now up on That Shelf (and at the link in our bio).
1 week ago
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7/9

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What does it mean to see and hear yourself represented on screen? In his feature directorial debut, California Schemin’, James McAvoy tells the true story of Scottish rappers Silibil N’ Brains, who found success by pretending to be American. In this interview with That Shelf, McAvoy discusses the importance of staying true to the Scottish identity at the heart of the film, bringing the duo’s story to life, and why everyone deserves to see their own experiences reflected in cinema. 📝 Full interview by Pat Mullen now up on That Shelf (and at the link in our bio).
2 weeks ago
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8/9

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The Social Reckoning revisits the world of Facebook, following data scientist Frances Haugen and Wall Street Journal journalist Jeff Horwitz as they investigate the company’s role in spreading harmful content and radicalizing users. Set between 2019 and 2021, the film examines the consequences of prioritizing profit over people in the social media industry. Despite tackling an urgent and relevant subject, Aaron Sorkin’s follow-up struggles to offer fresh insights into the damage caused by social media. While the story raises important questions about corporate responsibility and the power of technology, underdeveloped characters, an awkward central relationship, and uninspired direction prevent the film from reaching its full potential. 📝 Full review by Mel Valentin now up on That Shelf (and at the link in our bio).
3 weeks ago
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9/9