Davis Guggenheim

Safe House Review

Ever since Paul Greengrass’ Bourne Identity sequels, espionage movies have been about terrorism and government cover-ups, set in third world countries and filmed with shaky handheld cameras and blown out colour schemes. Safe House falls firmly into this camp, loaded with nods to dirty dealings and water boarding. It’s a fairly entertaining movie, just one that definitely feels like it’s coming out a few years too late.