film
Boris Guts‘ Deaf Lovers premiered in Tallinn‘s Black Nights Film Festival‘s Official Competition despite major public backlash. But what of the film itself?
Mufasa: The Lion King Review – Medicine for Meowancholy
Mufasa: The Lion King proves that nobody looks into the camera to reveal their soul quite like the characters of a Barry Jenkins’ film do. Even CGI cats.
Scared Shitless Review: What a Dump.
“That’s real cool, right?” If a film starts with that question, the answer is usually “no.” The in many ways crappy creature feature Scared Shitless is no exception. In fact, the horror comedy feels tediously long despite its 76 minute running time. It’s so void of quality and full of unremarkable aspects, that an Estonian […]
Adrien Brody and Brady Corbet on The Brutalist and ‘Monumental’ Cinema
The Brutalist star Adrien Brody and director Brady Corbet discuss their epic drama about the dark side of the American dream and immigrant experiences.
Nickel Boys Review
RaMell Ross's adaptation of Colson Whitehead's novel Nickel Boys stuns, impresses, and amazes in equal measure.
The End Review: Going Out on a High Note
Joshua Oppenheimer stages a dazzlingly bleak apocalyptic musical starring Tilda Swinton, Michael Shannon, and George MacKay with The End.
Queer Review: Burroughs Flick Is a Sweaty, Woozy Odyssey
Daniel Craig and Drew Starkey star in Queer, Luca Guadagnino's feverish adaptation of the novel by William S. Burroughs.
Interview: Philippa Boyens on The Lord of the Rings: The War of the Rohirrim
Producer Philippa Boyens speaks with That Shelf about telling original Middle-earth stories in a whole new way.
Elton John: Never Too Late Review
Elton John: Never Too Late is a surface-level yet joyous celebration of one of the most electrifying and prolific rock stars of our time.
September 5 Review: Journalism as an Olympic Sport
Riveting drama September 5 goes behind the scenes in ABC Sports' newsroom as they break the story of the 1972 Olympic hostage siege.
Emilia Pérez Leads Golden Globe Nominations
Golden Globe nominations include Emilia Pérez, The Brutalist, Conclave, A Real Pain, Dune: Part Two, Wicked, Anora, and Challengers.
Hani Review
Where lust was called just: This is where Hou Das heng's social-realist spectacle Hani takes audiences.
Pink Lady Review
Much like the conflicted couple, Nir Bergman‘s detached drama never quite dares to break away from toxic traditions and harmful hypocrisy.
In Nightbitch, Amy Adams Embraces Her Animalistic Urges
Nightbitch star Amy Adams tells us about her career-best performance in which she plays a stay-at-home mother who thinks she's becoming a dog.
Your Tomorrow Review
The redevelopment of Ontario Place and the value of public space fuel Ali Weinstein's observational documentary Your Tomorrow.