Netflix’s latest Cursed trailer shows off an action-packed reimagining of the classic Arthurian legend.
Frank Miller and Tom Wheeler’s new Netflix series Cursed reimagines the King Arthur legend.
Frank Miller, Tom Wheeler, and Netflix have teamed up to create a ten-episode re-imagining of the Arthurian legend.
Was the Marvel Universe TV team-up series The Defenders worth the wait?
Shout! Factory releases their Collectors Editions of the Robocop sequels today. Robocop 2 holds up remarkably well, while the other disc examines what went wrong with 3.
Why Christopher Nolan's grim approach to Batman doesn't work for DC's more colourful superheroes.
We talk to Daredevil star Deborah Ann Woll about what we can expect from Karen Page and Matt Murdock this season, what it's like acting opposite The Punisher, whether or not we can expect to see Karen in The Defenders, and much more!
Pros, cons, easter eggs, and more from episodes 1-7 of Marvel's Daredevil season two!
We talk to Daredevil star Charlie Cox about the upcoming season, his thoughts on Elektra, if #DD is on #TeamCap or #TeamIronMan, and some of this season's craziest action sequences.
Daredevil star Deborah Ann Wall discusses her character's mysterious past, compares genre television to playing Shakespeare, and addresses the recent controversy around Netflix not offering a Described Video feature for the show.
Netflix's Daredevil is part startup business comedy, part law procedural, and part martial arts film. It's also a revelation.
Sin City: A Dame to Kill For fails to live up to its promises of being a fun, macho fantasy, instead delivering a bloated two-hour bore.
Enter for a chance to win a pair of passes to an advance screening of Sin City: A Dame to Kill For in Toronto, Ottawa, Halifax, Winnipeg, Calgary, Edmonton, Victoria, or Vancouver on Thursday, August 21st, courtesy of Dork Shelf and eOne Films!
Although Zack Snyder might have moved on to only being a co-producer and co-writer to the Frank Miller inspired sequel 300: Rise of an Empire, the film delivers largely a carbon copy of the same material, slinging spears, swords, splatter, and splinters in slo-motion similarly, only this time it's incredibly boring to sit through.
We chat with Bill Sienkiewicz about his work on Daredevil: End of Days and what it was like to shape Daredevil's world one more time.