The Last Matinee’s eerie throwback vibes will make Bava and Argento fans feel right at home.
Chris Baugh’s horror comedy Boys from County Hell puts an Irish spin on vampire lore.
Nicolas Cage vs. demonic mascots. What more could you ask for?
Canadian Kier-La Janisse’s Woodlands Dark And Days Bewitched: A History Of Folk Horror is a comprehensive and well-researched deep dive into a horror sub-genre filled with witches, voodoo, and wicker men. With a 193-minute running time, the documentary gives folk horror its due while keeping the themes presented moving at an engaging pace. Taking an academic […]
Writer-star Brea Grant turns the everyday misogyny and sexism women face into a slasher horror in Lucky.
Synchronic is a dark and moody new sci-fi-thriller from the filmmakers behind The Endless and Spring.
Saint Maud is a must-see horror film that begs to be scrutinized, discussed and rewatched.
A deeply personal horror movie filled with dread, Sator is a slow burn that will reward a patient audience.
Doomscrolling on film isn't the best escape from COVID blahs
Writer-director Sean Ellis' horror-mystery Eight for Silver reimagines werewolf mythology while packing a vicious bite.
Ben Wheatley makes the most out of his minimalist thriller filmed during the pandemic.
Sundance's opening Midnight pick leaves much to be desired in a film that fails to live up to its potential.
The Queen of Black Magic is a 99-minute nightmare factory with a jet-black soul.
Shudder’s February programming gets “Super Dark” with a vintage Nic Cage flick and an old-school Indonesian supernatural thriller.
Steven Kostanski’s gleefully violent practical effects extravaganza, Psycho Goreman, is a love letter to ‘80s horror and sci-fi cinema.