The Beach House is smart. It has smart characters, a smart “monster,” and a smart main character. It assumes its audience is smart and never talks down to them. But best of all, it is effective, terrifying and unpredictable, and downright perfectly gross. The Beach House starts out like so many horror films, in a […]
Shudder’s summer programming features loads of dead campers, a maniac cop, and an evil death cult.
Scare Package is a tongue-in-cheek homage to the horror movie genre and its tired tropes.
Bruce McDonald's new film is an all-you-can-eat buffet from weirdsville.
Blood Machines is a neon-drenched love-letter to corny ‘80s sci-fi and horror B movies, backed by a scintillating Carpenter-esque score.
Bob Turnbull returns to the show to discuss Nobuhiko Obayashi’s 1977 film House (Hausu)!
Train to Busan Presents: Peninsula picks up four years after Train to Busan and throws viewers into a dystopic world that has been ravaged by the zombie apocalypse.
That Shelf put together a list of the 5 best horror movies we've watched in 2020.
Is The Hunt a clever and pointed film about contemporary America or toothless political satire?
On the surface, The Hunt seems like the straight-forward hack 'em ups like The Purge, but director Craig Zobel (Z for Zachariach, Homestar Runner) has a little more on his mind.
Put any doubts about this film aside and buckle up for a wild cinematic ride that goes beyond the “is she or isn’t she crazy?” premise.
A disturbing and bone-chilling atmospheric horror from the directors of Goodnight Mommy that will leave viewers divided.
Josh Ruben’s horror-comedy, Scare Me, follows two people stuck in a cabin during a power outage as they pass the time by spooking each other out.
The latest take on Henry James is completely redundant.
Netflix’s upcoming comic book adaptation, Locke & Key, recreates the spooky vibes that makes the original series great.
