Matthew Goode
Netflix's animated anthology film The House is a must for fans of independent animation with its offbeat trio of films about home.
Video Review: THE KING’S MAN
Our look at The King's Man, a surprisingly ineffectual addition to the KM saga.
ENTER FOR YOUR CHANCE TO WIN PASSES TO AN ADVANCE SCREENING OF THE KING’S MAN
To celebrate the arrival of The King's Man , That Shelf wants to send you and a friend to see it before anyone else!
TIFF 2021: Silent Night Review
Silent Night uses gallows humour and an emotional heart to create a well-rounded British dark comedy that's unfortunately overshadowed by our current reality.
Self/less Review
Director Tarsem Singh brings none of the visual flair we've come to know and love him for in this tired sci-fi body-switching action flick that's basically a remake of John Frankenheimer's superior Seconds.
Video Interviews: Matthew Goode, Allen Leech, & Morton Tyldum
We sit down with actors Matthew Goode and Allen Leech and Oscar nominated director Morton Tyldum to talk about their work on The Imitation Game .
The Imitation Game Review
Benedict Cumberbatch carries the day in the mostly effective period drama The Imitation Game .
TIFF 2014: The Imitation Game Review
The Imitation Game Special Presentations Benedict Cumberbatch carries the day in a role that feels almost custom made for the sort of droll loner act he has been perfecting across his past several films and his hit TV series, Sherlock . Only this time, he’s certain to get some award season buzz because he’s playing […]
Interview: Chan-wook Park
That Shelf talked to famed Korean director Chan-Wook Park ( Oldboy ) about where his desire to tell such dark stories springs from, why he selected Stoker for his North American debut, the casting process, his identifying with the work of Alfred Hitchcock, and his study of film criticism and philosophy.
Stoker Review
If Hitchcock was still alive he very well could have made Stoker , but with corpse reanimation still just a beautiful dream, Chan-wook Park fills the portly silhouette nicely. That’s high praise indeed and thankfully both the man and the film deserve it.