On this episode we review RoboCop starring Joel Kinnaman, Gary Oldman, and Michael Keaton. We also speak with comic legend Chris Claremont about re-release of Marada The She-Wolf.
If you can put aside your feelings towards the original film long enough to accept an updated facelift to the RoboCop narrative is passably entertaining, but also worthy of being judged more on its many newer faults rather than by any unfair comparisons to its forebearers.
Enter for a chance to win a pair of passes to an advance screening of Need for Speed in Toronto, Edmonton, Calgary, or Vancouver on Wednesday, February 19th with a special pre-movie live-stream cast Q&A, courtesy of Dork Shelf and DreamWorks Pictures!
Enter for a chance to win a pair of passes to an advance screening of Need for Speed in Toronto on Monday, February 3rd, courtesy of Dork Shelf and DreamWorks Pictures!
We take a look back on the career of Quentin Tarantino as Reservoir Dogs celebrates it's 20th anniversary with a blu-ray box set including almost all of the feature films he's been a part of.
Part two of Sasha's Tim Burton Takes Toronto examines the director's late 80s and early 90s work: Batman, Edward Scissorhands and Batman Returns.
From 7 p.m. on Friday, November 26 to some ungodly hour on the morning of Sunday, November 28th, Torontonians were invited to TIFF Bell Lightbox to screen the entirety of Tim Burton’s filmography. This was in celebration of the Burton exhibit coming to town, which was first curated by the Museum of Modern Art in New York City. For some, myself included, the prospect of sitting through sixteen feature films by Burton was intriguing — a Burton Blitz of sorts. Others might call it “Hell on Earth”.
From 7 p.m. on Friday, November 26 to some ungodly hour in the morning on Sunday, November 28th, Torontonians were invited to TIFF Bell Lightbox to screen the entirety of Tim Burton’s filmography (excluding the two shorts Frankenweenie and Vincent). This was in celebration of the Burton exhibit coming to town, which was first curated by the Museum of Modern Art in New York City. For some, myself included, the prospect of sitting through sixteen feature films by Burton was intriguing. Others might call it “Hell on Earth”.