Four families have just 13 minutes to reach shelter before a devastating tornado ravages their town.
Director Yimou Zhang’s historical drama One Second is a beautifully crafted reverie to the power of cinema.
Vengeance Is Mine, All Others Pay Cash pulls from several genres to deliver one of TIFF 2021’s most audacious movies.
Michael Pearce’s Encounter stars Riz Ahmed as a former marine and father of two boys who stumbles into earth-shattering news.
Dave Wooley and David Heilbroner’s documentary Dionne Warwick: Don't Make Me Over takes viewers through the pop and R&B star’s career.
Director Theodore Melfi’s heartfelt drama, The Starling, focuses on a husband and wife trapped in a cycle of grieving.
Danis Goulet’s dystopian thriller Night Raiders, like the best sci-fi movies, use an extraordinary premise to distill simple human truths.
Dashcam is a disorienting, repetitive, tedious mess, and yet, nowhere close to the worst this genre has to offer.
Our look at Edgar Wright's thriller LAST NIGHT IN SOHO, starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Diana Rigg and Michael Ajao.
Edgar Wright's supernatural mystery, Last Night in Soho, is a neon-soaked love letter to the psychological thrillers of the ‘60s and ‘70s.
Our look at the TIFF 2021 opener DEAR EVAN HANSEN, the film adaptation of the Tony award-winning musical starring Ben Platt.
That Shelf wants to send you and a friend to an advance screening of DEAR EVAN HANSEN!
Malignant director James Wan talks to That Shelf about his horror influences and the art of crafting scares.
Shudder’s 61 Days of Halloween annual event kicks off today with a pair of horror classics
Neill Blomkamp steps into the horror genre with his sci-fi possession thriller Demonic.