Enter for a chance to win one of five pairs of passes to an advance screening of Stoker in Vancouver (on March 13th) or Calgary (on March 20th) courtesy of Dork Shelf and Fox Searchlight,
If Hitchcock was still alive he very well could have made Stoker, but with corpse reanimation still just a beautiful dream, Chan-wook Park fills the portly silhouette nicely. That’s high praise indeed and thankfully both the man and the film deserve it.
Enter for a chance to win one of five pairs of passes to see an advance screening of Stoker in Toronto on Thursday, February 28th at 7:00pm, courtesy of Dork Shelf and Fox Searchlight.
Fleetingly campy and sleazy at the opening and closing, The Paperboy is ultimately too boring during the middle hour of the film to leave any sort of lasting impression outside of the film's most bizarre moments.
We talk to the dreamy Zac Efron and British actor David Oyelowo about their latest film, the controversial The Paperboy, working with director Lee Daniels, acting period appropriate for the 1960s, and the whole "getting peed on thing" that everyone has been talking about.
For our final round-up of TIFF 2012 reviews we take a look at some great stuff yet to come and some films we're doubling back on with reviews for The Paperboy, Song for Marion, Frances Ha, Room 237, The ABCs of Death, Ghost Graduation, The We and the I, Imogene, Iceberg Slim: Portrait of a Pimp, Outrage Beyond, Come Out and Play, The Lesser Blessed, and The Bay.
Cynically designed and crafted to win a boatload of Emmy’s and Golden Globe awards, Hemingway and Gellhorn has been engineered to seem edgy and transgressive enough to be interesting and as bland and hokey as possible to appeal to the out of touch geezers who vote for these awards in the first place.