Quentin Tarantino

Everybody Wants Some!! Review

Does Richard Linklater's latest film Everybody Wants Some have the potential to become a cult classic like its spiritual predecessor Dazed and Confused?

TAD 2013 Review: Big Bad Wolves

Big Bad Wolves It’s easy to see why Quentin Tarantino would be so quick to anoint the Israeli thriller Big Bad Wolves as his favourite film of the year, because with 75% of the film’s non-stop dialogue made up of oh-so-witty tangential asides or alpha male posturing it fits in quite nicely with the worst […]

Django Unchained Review

It's not Quentin Tarantino's most accomplished film, but Django Unchained benefits from a slew of excellent performances and a playful looseness that his films often forego in favour of more elaborate plot structuring.

Defending the Indefensible: The Great White Hype

Those looking for a funnier way to get ready for the racial themes at work in Quentin Tarantino's Django Unchained who don't want to watch a bunch of Corbucci Westerns, should take a look at one of the most underrated sports comedies of all time: The Great White Hype, which comes courtesy of Unchained producer Reginald Hudlin and Samuel L. Jackson essentially playing Leonardo DiCaprio's role from QT's latest flick.

The Original Django

In honour of the release of Quentin Tarantino's Django Unchained, the TIFF Bell Lightbox in Toronto begins a run of the original 1966 Sergio Corbucci directed and Franco Nero starring film that gave the world one of the most iconic figures in the Western genre. Here's a look back at a bleak and bloody masterwork that inspired countless knock off and homages, including Tarantino's

Interview: Quentin Tarantino

Dork Shelf talks to the one and only Quentin Tarantino about his latest film Django Unchained, the bridge between Inglorious Basterds and Django, what makes an effective spaghetti western, his rumoured casting choices, shooting on a real Southern plantation, moving his production due to a lack of snow, and the potential for a revival of westerns as a genre following his film.