James and Yaw have a great time talking about this week’s property: Honey, I Shrunk the Kids!
The upcoming remake of Final Fantasy VII displays none of the magic that made the original so beloved.
For reasons that remain unclear, someone has decided to remake Christopher Nolan's iconic memory thriller.
Jim McBride's 1983 remake of the French New Wave classic Breathless was doomed to fail but has in fact aged remarkably well, which is why Shout Factory has released a Blu-ray of this new cult classic.
We shouldn't wait for corporate approval before revisiting old favorites.
Carrie might be one of the few cases not only of a remake that’s on par with the original, but of one that makes just enough tweaks in style, performance, and theme to warrant its existence.
The good news about the Evil Dead remake is that it’s a pretty enjoyable bloody romp. The bad news is, it’s nowhere near as exciting, fun or, well-crafted as the original trilogy. The reaction you’ll have to it will really come down to the expectations you bring to the theatre.
As one might expect, the flashy UK remake of Danish director Nicolas Winding Refn’s Pusher ends up being a mostly pointless exercise, adding a tonne of shallow style but very little substance to the proceedings. Director Luis Prieto pushes the source material through that Guy Ritchie gangster movie filter, and in the process robs his remake of the gritty naturalism that made the rough around the edges original work.
To celebrate TIFF’s ongoing Bangkok Dangerous: The Cinema Of Nicolas Cage series, Alan Jones has resurrected his retrospective of the actor’s work entitled The Nic Cage Project. In this edition, Jones takes a look at Neil LaBute's disturbing and inexplicable remake of The Wicker Man – playing tonight at the Lightbox.
If The Woman in Black is any indication, Daniel Radcliffe will be very savvy when it comes to choosing his post-boy wizard roles. A pitch perfect bit of period horror with menace to spare, this is exactly the kind of film that Harry Potter fans who grew up with the actor would just be starting to get into at their point in their lives. While not reinventing the wheel in any way, director James Watkins has crafted a thoroughly efficient and thrilling genre exercise that evokes favourable comparisons to the works of Wes Craven and Sam Raimi.
Much like the original Arthur with Dudley Moore from 1980, director Jason Winner's Russell Brand starring remake is a film perfectly befitting of it's main character. It is a film that coasts by so effortlessly on the charm and wit of the actor at the centre of it, that it is a hard film to dislike. It also really isn't that great of a film, and much like the billionaire, alcoholic playboy at the heart of the film, it has a lot of problems that are either never addressed or are dealt with too late in the film to have much of an impact.
Tomas Alfredson’s excellent Let the Right One In is the kind of film that you really don’t want to see get remade. The original was such a pitch perfect genre film that remaking it feels kind of presumptuous. Unfortunately, the Swedish vampire film became such an international phenomenon that it was only a matter of […]
Alan Jones joins us for a guest spot review of A Nightmare on Elm Street. Alan is president of the University of Toronto Cinema Studies Students Union (CINSSU). This review and many others can be read on the official CINSSU blog. Walking into the new Platinum Dunes horror remake of A Nightmare on Elm Street […]
CHUD has posted a very interesting rumour regarding a potential remake of the classic film The Third Man, the 1949 film noir directed by Carol Reed, starring Orson Welles and Joseph Cotten. Canal Plus is said to be shopping the remake around and has lined up screenwriter Steven Knight (Eastern Promises) as well as Leonardo […]
The Risky Biz Blog is reporting that Canadian director David Cronenberg is set to remake his own 1986 film The Fly. Cronenberg’s original version of The Fly was itself a remake of a 1958 film of the same name. The 1986 Fly starred Jeff Goldblum and Geena Davis, and was arguably Cronenberg’s breakout movie. The […]