Driven by impeccable performances, Stephen Karam adapts The Humans from the stage into an uneasy, tension-filled film.
In Kajillionaire, a young woman’s life goes off the rails when her con artist parents invite an outsider to take part in their scams.
TIFF 2017: The Shape of Water Review.
The best that can be said about the high school sports drama 4 Minute Mile is that it’s perfectly competent in terms of tone and construction even at its most boring.
We FINALLY start digging ourselves out of the backlog of DVDs and Blu-Rays we received over the past month with the first of two special home entertainment columns this week. Today we look at the hilarious Jackass Presents: Bad Grandpa, the intense Captain Phillips, the Adam Scott comedy A.C.O.D., Kuosawa's classic Throne of Blood on Criterion, and Dylan McDermott trapped in a Freezer.
There’s no mistaking Turbo for anything other than a fairy tale fantasy aimed squarely at the young, but there’s something incredibly winsome about it that other films these days miss entirely. It’s genuine and free of any sense of irony.
White House Down is both vastly better than this year's other President-in-peril flick and about as goofy and endearingly silly as one would expect from director Roland Emmerich, delivering his best all around work since Independence Day. You know, that other movie that destroyed the White House.
The Company You Keep, the latest thriller from actor and director Robert Redford is almost quaint in terms of how unpretentious it is despite subject material and a stacked cast of familiar faces that could have been so much more than this. But it's that smallness that makes it all that much better.
In one of the most bizarre studio and ego driven productions to be released from a major studio this year, Jack Reacher manages to be too surreal to appeal to action fans and it’s too lunkheaded to appeal to proper cineastes. It’s simultaneously a better version of Alex Cross and a worse reimagining of MacGruber. It’s equally as awesome and awful as that sounds.
Killing Them Softly is a stunning looking and sounding picture with some great performances and directorial panache to spare, but it becomes a bit of slog once the film's bursts of ultraviolence run aground of the constant, unsubtle economic badgering.
Enter for a chance to win one of ten pairs of passes to an advance screening of Killing Them Softly in Halifax on Monday, November 26th or in Toronto, Ottawa, or Winnipeg on Thursday, November 29th from Dork Shelf and Alliance Films.
The first rule of The Cabin in the Woods is that you can't really talk about The Cabin in the Woods
I’m gonna lay it all out for you: If you watched the trailer for Hall Pass and thought “I bet I could tell you, beat by beat, exactly how that movie’s plot is going to go”, then you are likely correct in your assumptions. Save for a some supporting cameos and a few typically-scatological set pieces, the Farrelly brothers’ latest film feels exactly like the marriages it seeks to satirize: good-natured and comfortable, but ultimately tepid and crushingly predictable.
I really don’t like remakes. Like many film fans, I believe that they should be avoided at all costs, particularly when they are Hollywood remakes of excellent foreign films. However, Hollywood being what it is, remakes are inevitable. So when I heard that there were plans to remake the excellent Swedish film Let The Right […]