Join us in proving John Wayne wrong as we discuss the "un-American" classic High Noon, and its iconic score by the legendary Dimitri Tiomkin.
Legendary filmmaker John Carpenter drops the stunning animated music video Alive After Death in advance of his upcoming album.
Today we discuss Last Action Hero, a film studio execs were so convinced would sell, they released it against Jurassic Park in theatres. It lost, but Michael Kamen's hard rock score might win us over.
Join us in raising a hearty middle finger to 2020 as we discuss Four Rooms, a New Years movie scored by lounge revival act Combustible Edison, with a little help from Juan Garcia ESQUIVEL!
Join us as we unwrap the present that is St. John's wonderful and unforgettable score for Home Alone.
This week, the boys try to recover from the Star Wars Holiday Special by enjoying a very 80s Christmas with returning guest Amanda Factor!
Join us this week as we listen to Alan Silvestri go FULL Silvestri!
On this week's episode we return to the 90s to watch a shiny new James Bond save the world to the tune of spy-themed elevator music.
This week we're heading back to the 90s to discuss a silly film that failed at the box office but succeeded in starting a film music trope - a person typing furiously on a computer must now be accompanied by an upbeat electro/techno song.
On today's episode we bid farewell to a dead wife beater, discuss Michael Giacchino's list of favourite scores, and reflect on Danny Elfman's new song.
Join us this week as we chat with returning guest Katrina Kelly about Randy Newman's score for Pixar's "Monsters, Inc."
This week, we send DEcomPOSERS month off with a BOO with returning guest and horror film expert Andy Sell. From the iconic to the weird, we list our top 6 horror movie themes, and Andy “Ghoul-Schools” us on some favourites of his. Find us on the socials! Twitter: @composerspod Instagram: @composerspod Email: email@example.com Web: composerspod.com […]
Join us as we discuss The Shining and its original music by Wendy Carlos and Rachel Elkind, plus selected music by Krzysztof Penderecki, Béla Bartók and György Ligeti.
This week we discuss a ghost story that claims it's not a ghost story because its many ghosts aren't scary or useful to the plot. Join us as we examine Guillermo Del Toro's beautiful looking Crimson Peak and its score by Fernando Velázquez.
Join us for DEcomPOSERS Chapter 2 as we discuss David Cronenberg's 'The Fly' composed by Howard Shore.