We talk to The Raid: Redemption director Gareth Evans about his knowledge of martial arts, his close working relationship with his stars, and what it's like trying to get an action film made in Indonesia.
Game of Thrones: The Exhibition opened yesterday in Toronto, and runs for he next eight days at the TIFF Bell Lightbox. Dork Shelf was lucky enough to get a guided tour on Thursday, and we were pretty impressed by all of the costumes, props, and weaponry from HBO's fantasy series that were on display.
When TIFF announced earlier this year that A Song of Ice and Fire author George R. R. Martin would be coming to the Bell Lightbox in Toronto for a speaking engagement, fans of his novels and the HBO series it spawned were elated. The "In Conversation..." event sounded great, but we knew that a simple visit would not be the only thing that the film fest group had in store for Game of Thrones fans. And boy, did they not disappoint. Today, TIFF along with HBO Canada and Random House announced Game of Thrones: The Exhibition.
There are some corners of the cinema landscape I am woefully blind to. One such area is Soviet-era science fiction from the Eastern Bloc. American sci-fi from the same period is quite popular, with films like War of the Worlds and Invasion of the Body Snatchers playing heavily on Cold War anxieties. The only Soviet science fiction films I’d even heard of were those of Russian director, Andrei Tarkovski. Solaris in particular is quite famous, but even that I’ve never seen. Even if I wanted to get into these films, where would I begin? Luckily, the TIFF Bell Lightbox is here to help us out.
It has buttons, says Sony's PlayStation Move. You are the controller, says Microsoft's Kinect. Pfft... that's all child's play. Have you ever flown a plane using only your eyes?
As part of Digifest 2011 Innovation Days, TIFF Nexus hosts the first in a series of conferences that bring film, gaming and new media professionals together at TIFF Bell Lightbox.
Andrea Arnold’s Wuthering Heights is going to anger a lot of people. Which is a shame, because it is brilliant. As an interpretation, not an adaptation, Arnold take a different route, exploring certain themes and characters within the text from a different perspective. And what a perspective – this is raw, gritty, melancholy and visceral in […]
The 2011 edition of the Toronto International Film Festival kicks off tomorrow and will run until September 18th. Now you're going to hear a lot about the celebrities in town, the parties going down and the massive queues, but at the end of the day TIFF is about the movies. And with over 330 movies playing this year, there's definitely no shortage of films to choose from.
A hero of the indie circuit with a legitimate knack for homing in on the current American spirit, filmmaker Kelly Reichardt has become recognized by many as tragically overlooked by many, many others. Well look over no longer, Toronto, as this week the TIFF Bell Lightbox begins a retrospective on the filmmaker, screening her catalog of films from the past two decades, including Wendy and Lucy, Rivers of Grass and her latest, Meek's Cutoff.
Part Three of Sasha’s Tim Burton Takes Toronto follows the last leg of her Burton Blitz -- the “animation detour” that is James and the Giant Peach and The Nightmare before Christmas.
From 7 p.m. on Friday, November 26 to some ungodly hour in the morning on Sunday, November 28th, Torontonians were invited to TIFF Bell Lightbox to screen the entirety of Tim Burton’s filmography (excluding the two shorts Frankenweenie and Vincent). This was in celebration of the Burton exhibit coming to town, which was first curated by the Museum of Modern Art in New York City. For some, myself included, the prospect of sitting through sixteen feature films by Burton was intriguing. Others might call it “Hell on Earth”.
