A new Pedro Almodóvar film is always cause for celebration. Even a short one, especially one that so carefully harkens back and deepens, in turn, the Spanish director’s longstanding fascinations. The Human Voice, starring Tilda Swinton and “freely based” on Jean Cocteau’s 1928 play by the same name, is pure Almodóvar. It’s both a potent […]
Armando Ianucci imagines Charles Dickens' classic novel anew.
The week's edition of The Criterion Shelf surveys the Criterion Channel's collection of films by women directors.
The Personal History of David Copperfield opens May 8.
get your first look at Wes Anderson's star-studded event!
Armando Iannucci gives a Dickens classic a new spin.
Veep and Death of Stalin creator Armando Iannuci does Charles Dickens with a star-studded cast!
Does an all-star cast and a fun premise – a small town zombie apocalypse – make for a winning formula? Watch our video review of Jim Jarmusch's The Dead Don't Die!
It is easy to see why Joanna Hogg’s The Souvenir connected with many critics when it premiered at Sundance earlier this year, but will this semi-autobiographical tale of privilege and addiction connect with viewers or leave them cold?
Director Jim Jarmusch and the cast of The Dead Don't Die talk to Managing Editor Jason Gorber about zombies and their favourite horror movies from the 2019 Cannes Film Festival!
Managing Editor Jason Gorber is live from the 2019 Cannes Film Festival to share his thoughts on Jim Jarmusch's highly anticipated zombie comedy The Dead Don't Die!
Critic Jenny Bullough pledged to embark upon an epic MCU rewatch with her family before they see Avengers: Endgame – and answer the all-important question: should you watch these with your kids? By the Hoary Hosts of Hoggoth it's Doctor Strange!
Luca Guadagnino's contemporary take on Dario Argento’s classic is a mess – an emotional and at times haunting film – but a mess nonetheless.
Luca Guadagnino's contemporary take on Dario Argento’s classic is a mess – an emotional and at times haunting film – but a mess nonetheless.
Isle of Dogs continues Wes Anderson's harmonious marriage of formalism and silliness.
