The Shrouds: Kibitzing with Cronenberg at Cannes 2024
David Cronenberg discusses his new film The Shrouds with our own Jason Gorber for the TFCA following its premiere at the 2024 Cannes Film Festival.
Vincent Cassel
Westworld Episode 3.06: “Decoherence” Review
This episode proves Charlotte the most interesting creation of the series so far. Give Tessa Thompson the Emmy.
Westworld Episode 3.05: “Genre” Review
“Do you want to know your future?”
Westworld Episode 3.04 Review: “The Mother of All Exiles”
The latest episode of HBO's Westworld explores what happens when an android develops a messiah complex.
Westworld Episode 3.03: “The Absence of Field” Review
Like many of Westworld’s best hours, The Absence of Field mostly focuses on a crisis of identity.
Westworld Episode 3.02 Review: “The Winter Line”
The idea of "The Winter Line" is embedded into the episode’s understanding of how its characters are trying to escape from the obstacles and fortifications before them on their respective journeys.
TIFF 2016: It’s Only The End of the World Review
It's Only the End of the World TIFF 2016 Review.
Blu-Ray Round-Up: 8/5/13
This week at the video store we check out new Blu-Rays for recent releases Trance, To the Wonder, Oblivion, and Olympus Has Fallen, and two new Criterion releases for The Devil's Backbone and Lord of the Flies.
Trance Review
Trance is more of a return to basics and the beginning of his career for director Danny Boyle, but it's in service of far lesser material than he should be taking on at this point.
Contest: See TRANCE in Toronto, Calgary, & Vancouver!
Enter for a chance to win one of ten pairs of passes to an advance screening of the latest film from director Danny Boyle, Trance in Calgary on Wednesday, April 10th or in Toronto and Vancouver on Thursday, April 11th at 7:00pm, courtesy of Dork Shelf and Fox Searchlight.
Black Swan Review
This review of Black Swan is a little late in arriving, as I wasn’t sure I wanted to write one at all. Being a great admirer of Darren Aronofsky’s previous work, my immense disappointment with the film did not encourage me. But being in what seems the extreme minority of those who found the film lacking in Aronofsky’s previous genius, I feel somewhat compelled (not only by myself) to justify my opinion.
