Appearances are not what they seem with the new horror movie Barbarian. Rarely does a horror movie so surprising come along that even discussing the finer plot points would spoil the effect. Filled not with red herrings, but with a unique story, Barbarian will delight genre fans, offering something that was perhaps unexpected.
King Viserys is a fool. But he is a fool with power and isn’t aware that he is a fool with power. What does that mean for the people of Westeros and beyond?
Our look at Alejandro G. Iñárritu’s three hour long epic BARDO, an autobiographical drama in which the director embarks on a surrealistic journey through Mexico and his own life.
Our take on director Todd Field's TÁR starring Cate Blanchett – one of the most anticipated movies of the Venice Film Festival and probably one of the best movies of this year.
The Lord of the Rings: The Rings of Power is the latest adaptation of J.R.R. Tolkien's beloved fantasy world, but can anything match Peter Jackson's original trilogy?
A brief look at Noah Baumbach's White Noise, the Adam Driver-starring black comedy that's opening the 79th Venice Film Festival.
Those in a position of power would rather burn everything to the ground than cede their power. That is the brutal lesson of episode two of HBO's House of the Dragon.
Javier Bardem gives a powerhouse performance playing against type as a suave sleazeball in the Spanish comedy The Good Boss.
Audiences have been fascinated by vampires for hundreds of years. In a year where Nosferatu celebrates its 100th birthday, The Invitation is just the latest in a long line of stories about the undead.
The lasting horrors of childhood trauma permeate every inch of Perry Blackshear’s When I Consume You.
Westworld always wanted to know what it meant to be human, but at some point, it forgot its own humanity.
Is the Game of Thrones prequel series HOUSE OF THE DRAGON good? Is it worth investing in after all that disappointment? The answer to that is yes, with a caveat.
Isabelle Fuhrman reprises her role as the murderous "child" Esther in Orphan: First Kill.
Idris Elba finds himself in Liam Neeson mode with Beast, a completely ridiculous adventure that will have audiences rooting for the lion.
Netflix's Day Shift, starring Jamie Foxx, is a perfectly serviceable, entertaining, time-wasting genre entry.
