Dork Shelf talks to Nova Scotia based writer and director Shandi Mitchell about her debut feature The Disappeared, about the differences between writing for publishing and film, her connection to the ocean, shooting on 16mm, and the recent cultural fascination with mortality under extreme conditions.
No DVD column this week, but we'll return with it next week. Instead, we take a look at a whopping FIVE film festivals kicking off in Toronto this week: the 7th annual Canadian Film Fest, the Canadian Music Week Film Fest, Water Docs, the 13th annual aluCine Latin Film Festival, and Creepy Christian Cinema.
Part of me actually toyed with talking about the social and political ideologies at the heart of Hobo With a Shotgun. But chances are, if you are going to see a film like Hobo with a Shotgun, you are not going to care in the slightest about any of that. Every time my brain was about to make a connection to something I read about, a bot of film theory, or anything I learned in university, the film pistol whipped me and told me to stop being such a pussy.