Trolls Band Together: The Same Old Song
Trolls is the franchise that doesn't end. It just goes on and on, my friend.
Christopher Mintz-Plasse
The Development Slate Episode 60 – Animal House
The Dev Slate team gets bold and tackles a comedy classic: Animal House!
Kick Ass 2 Review
Misguidedly choosing incredibly lame jokes instead of maintaining Mark Millar's (sometimes) misguided edginess, Kick Ass 2 is a dreadful mess of hedged bets that somehow becomes more offensive to watch than if the film had been actively going for the shock value Millar's work often courts in the first place.
The To Do List Review
Despite what should be a novel gender switcheroo designed to look at teenage sexuality from a girl's perspective, The To Do List is still just an awkwardly assembled, bodily fluid loving gross out comedy with almost no distinction from its male counterparts.
ParaNorman Review
From top to bottom, ParaNorman is a little genre gem for longtime fans and pint-sized newcomers. This is an animated film that refuses to talk down to children, packs in more entertainment value than should be legally allowed, and actually has something to say to the impressionable viewers.
Interview: ParaNorman’s Chris Butler & Sam Fell
Part Two
In the age of the omnipresent CG animated film and vapid big budget spectacle, it’s incredibly refreshing to see a lovingly handcrafted stop-motion animated movie like ParaNorman come along. We had a chance to speak with directors Chris Butler and Sam Fell earlier this year, and talked about the talented young cast of the film, the directors' own experiences with bullying, ParaNorman's relationship to the horror genre, the importance of zombies, and much more.
Interview: ParaNorman’s Chris Butler & Sam Fell
Part One
In the age of the omnipresent CG animated film and vapid big budget spectacle, it's incredibly refreshing to see a lovingly handcrafted stop-motion animated movie like ParaNorman come along. We had a chance to speak with directors Chris Butler and Sam Fell earlier this year, and talked about the "John Carpenter meets John Hughes" origins of the film, how technology has helped make stop-frame animation more practical, and much more.
Fright Night Review
Fright Night is unquestionably the best film to come out of the recent deluge of recycled properties. This doesn’t just mean it is the best horror reboots in recent years, but it is one of the best remakes in any genre. It is the rare reboot that hits many of the same notes of the original film, while simultaneously subverting the audience’s expectations of what is going to happen. The fact that Fright Night manages to be on par with the original is a miracle in a world of shoddy remakes and cheap cash-ins.
