Daniel Erickson

Fantasia 2010 – Eve’s Necklace Review

Contemporary film noir is often referred to as Neo-noir, since at least the historic reasons for the existence of noir (disenchantment with the establishment, post-war malaise, reaction against the “norm” of postwar America) seem no longer relevant. So to try and make a neo-noir film today, and to up the ante by using mannequins instead […]