Carrie might be one of the few cases not only of a remake that’s on par with the original, but of one that makes just enough tweaks in style, performance, and theme to warrant its existence.
This week brings out some heavy hitters at the video store including Life of Pi , The Master , Hitchcock , Smashed , Playing for Keeps , This Must be the Place , and A Late Quartet .
The romantic comedy Playing for Keeps has an excellent first 45 minutes mostly because it isn’t trying to be a standard rom-com. What starts off as a curiously winning mixture of a kids sport’s movie and a racy, adult sex farce, however, gives way somewhat suddenly to become something that’s merely okay and not at all surprising.
That Shelf sits down with Playing for Keeps leading man Gerard Butler to talk about working with kids, his great cast, his fading accent, and trying to make a film with soccer as a backdrop in the United States.
This week on video store shelves, Phil Brown stays home with Jeff, Who Lives at Home before developing Wanderlust , while heads out west to deal with zombies in Exit Humanity and Christian Slater in Dawn Rider before returning home to wreck the place with Project X Also, a few words about the now cancelled Canadian cult series Being Erica and the intriguing family documentary My Reincarnation .
To celebrate TIFF’s ongoing Bangkok Dangerous: The Cinema Of Nicolas Cage series, Alan Jones has resurrected his retrospective of the actor’s work entitled The Nic Cage Project. In this edition, Jones takes a look at Charlie and Donald Kaufman's brilliantly contrived Adaptation – playing tonight at the Lightbox.
We've all known people like the titular character of the Jay and Mark Duplass' Jeff, Who Lives at Home . Nice guys who mean well, but for whatever reason are going nowhere fast. The film suffers from a few of the same maladies that afflict its main character. At times the film feels like an aimless collection of circumstances and encounters because, well, it is precisely that. It's a meandering tale that doesn't really accomplish much in the telling.
In Alexander Payne’s The Descendants , the most catastrophic events that befall the main characters happen off screen, making it a kind of glossy kindred spirit to the more youth oriented romance Like Crazy and the much beloved cult drama Martha Marcy May Marlene . Payne creates a story about privileged people dealing with real world issues without a sense of detachment or boredom. Sofia Coppola should see this film and take notes.