This week we discuss a ghost story that claims it's not a ghost story because its many ghosts aren't scary or useful to the plot. Join us as we examine Guillermo Del Toro's beautiful looking Crimson Peak and its score by Fernando Velázquez.
From 7 p.m. on Friday, November 26 to some ungodly hour in the morning on Sunday, November 28th, Torontonians were invited to TIFF Bell Lightbox to screen the entirety of Tim Burton’s filmography (excluding the two shorts Frankenweenie and Vincent). This was in celebration of the Burton exhibit coming to town, which was first curated by the Museum of Modern Art in New York City. For some, myself included, the prospect of sitting through sixteen feature films by Burton was intriguing. Others might call it “Hell on Earth”.