Sundance 2020 Review: Kajillionaire
In Kajillionaire, a young woman’s life goes off the rails when her con artist parents invite an outsider to take part in their scams.
Sequin in a Blue Room Review: TIFF Next Wave
Film explores the pleasures and perils of hook-up culture.
Below Deck: The Brü Crew Problem
What happens when you put Real Housewives on a boat? You get Below Deck – now in its seventh rollicking season!
Sundance 2020: Scare Me Review
Josh Ruben’s horror-comedy, Scare Me, follows two people stuck in a cabin during a power outage as they pass the time by spooking each other out.
Sundance 2020: Wendy Review
Wendy, from Beasts of the Southern Wilds director Benh Zeitlin, is a modern-day reimagining of J. M. Barrie’s classic fantasy tale, Peter Pan.
Birds of Prey Review: Margot Robbie is Fantabulous Fun
Comic book movies are fun again!
Sundance 2020: Us Kids Review
Us Kids follows the Parkland survivors as they fight for gun reform after a mass shooting at their school kills 17 people.
Sundance 2020: Rebuilding Paradise Review
Ron Howard’s documentary Rebuilding Paradise profiles the most devastating wildfire in California’s history and its impact on the fire-ravaged town of Paradise.
The Assistant Review: Hits Bullseye with Awful Truths
Film inspired by Harvey Weinstein scandal asks us to confront the machinery of which we are apart
Sundance 2020: Impetigore Review
Impetigore follows a young woman who returns to her dead parents’ village hoping to inherit property, only to be confronted with her family’s dark past.
Sundance 2020: Zola Review
Director Janicza Bravo's Zola – based on the story of the greatest stripper saga ever tweeted – stars Taylour Paige and Riley Keough as a pair of pole dancers on a wild Florida road trip.
Human Rights Watch Film Festival: Gay Chorus Deep South Review
David Charles Rodrigues' eye-opening documentary about the San Francisco's Gay Men's Choir tour of the US south may strike close to home for some.
There Are No Fakes Review
There Are No Fakes is a haunting portrait of greed, class and the horrors that can arise when art is only viewed through a monetary lens.
Human Rights Watch Film Festival: I Am Not Alone Review
I Am Not Alone is a wonderful celebration of a political victory in Armenia but will likely come across as hollow propaganda to anyone not already on board with its politics
Sundance 2020: Charm City Kings Review
A 14-year-old boy with a heart of gold, gets caught up in the dirtbike riding culture that killed his brother.
