The Holdovers stars Paul Giamatti and Da'Vine Joy Randolph and director Alexander Payne share why the film is the next great holiday classic.
Jason Gorger stops by CBC's Metro Morning to discuss Alexander Payne's latest, The Holdovers, and how lead actor Paul Giamatti may just have delivered his best performance yet.
Did we miss anything? Here are 10 films of the 2010s that our friend Phil Brown couldn't in good conscience allow to be left behind from That Shelf's retrospective.
TIFF 2017: Downsizing Review.
As we dig out from under the pile of Blu-Ray and DVD releases that have come into the office this month, we take a look at Criterion editions of Soderbergh's underrated King of the Hill and Truffaut's Jules and Jim , Blu-rays for Thor: The Dark World , Nebraska , Wadjda , and Blue is the Warmest Color , and a DVD of the found footage thriller Banshee Chapter .
Our Film and Performing Arts Editor gives his picks for what he thinks will win big at tomorrow night's Oscar ceremony. Please note: he is still not an expert.
Alexander Payne's Nebraska is a film with a down home vibe that feels ripped straight from the pages of dog-eared Reader’s Digest that’s been read countless times by various patrons in a waiting room while their oil gets changed. And I mean that as a compliment. It’s downright charming, and devoid of condescension towards the dreamers, uneducated schemers, and old timers that move its protagonist's journey along.
We talk to the Oscar winning writing team behind The Descendants - Nat Faxon and Community actor Jim Rash - about their directorial debut, The Way, Way Back , the deeply personal journey to get it made, what it takes to craft a believable coming of age story, and looking back on the real life inspirations, themes, and moments that made the film what it is.
In Alexander Payne’s The Descendants , the most catastrophic events that befall the main characters happen off screen, making it a kind of glossy kindred spirit to the more youth oriented romance Like Crazy and the much beloved cult drama Martha Marcy May Marlene . Payne creates a story about privileged people dealing with real world issues without a sense of detachment or boredom. Sofia Coppola should see this film and take notes.