Missing Link’s writer-director Chris Butler discusses the story’s origins, his influences, and why stop-motion movies must continue to evolve.
Missing Link is the Bigfoot buddy comedy you didn’t know you wanted.
The newest gorgeously animated feature from groundbreaking Laika (BoxTrolls, Kubo and the Two Strings) arrives in theatres this weekend, to tell a tall tale about a lonely sasquatch and the intrepid explorer who befriends him. But should you take your kids to see it?
This week at the video store we look at the winning animated adventure ParaNorman, the action blockbuster The Expendables 2, the dance-stravaganza Step Up Revolution, the crap-stravaganza The Apparition, and a pair of films that missed theatrical releases despite being directed by Joe Dante and Amy Heckerling.
From top to bottom, ParaNorman is a little genre gem for longtime fans and pint-sized newcomers. This is an animated film that refuses to talk down to children, packs in more entertainment value than should be legally allowed, and actually has something to say to the impressionable viewers.
In the age of the omnipresent CG animated film and vapid big budget spectacle, it’s incredibly refreshing to see a lovingly handcrafted stop-motion animated movie like ParaNorman come along. We had a chance to speak with directors Chris Butler and Sam Fell earlier this year, and talked about the talented young cast of the film, the directors' own experiences with bullying, ParaNorman's relationship to the horror genre, the importance of zombies, and much more.
In the age of the omnipresent CG animated film and vapid big budget spectacle, it's incredibly refreshing to see a lovingly handcrafted stop-motion animated movie like ParaNorman come along. We had a chance to speak with directors Chris Butler and Sam Fell earlier this year, and talked about the "John Carpenter meets John Hughes" origins of the film, how technology has helped make stop-frame animation more practical, and much more.