"My Struggle II" asks the biggest question of all, will you watch a third X-Files movie?
"Home Again" the best kind of X-Files episode: formidably executed with style and humour; ready to give you guilt-ridden nightmares.
A glut of 1990s TV revivals are upon us. What do these Friends, X-Files, and Full House reunions hope to accomplish – and what should we as viewers expect from them?
Dork Shelf's resident Hannibal expert Peter Counter joins Eric to discuss the Hannibal finale and everything that made it great.
"Secondo" is all about taking it slow, asking forgiveness, and eating your best friend.
Hannibal's beautiful season three premiere lets us in on Dr. Lecter's insatiable need for attention.
We talk to Canadian filmmaker Richie Mehta about the time travel drama I'll Follow You Down, his admiration for Steven Spielberg, creating strong female characters, and his love of sci-fi films.
Hannibal is a show about the pain of empathy, and "Mizumono" hurts. The finale brings the Ravenstag story arc to a conclusion in a brutal way.
When it comes to understanding exactly what to expect from Hannibal, the two most important characters are symbolic representations of who Will Graham and the titular serial killer are not. At least not anymore.
“Tome-Wan” is Hannibal at its most distilled and sustained. Showcasing the series’ underlying dark humour, this is the tightest, most mesmerizing hour of the series. To use the words of Mason Verger: I am enchanted and terrified.
“Ko No Mono” shifts to an unreliable narrator, allowing us to experience the first truly heartbreaking moment in Hannibal. Using the most iconic image from Red Dragon, we also get a glimpse at who’s really pulling the strings in this show.
Although it started this past Thursday, the 22nd annual Toronto Jewish Film Festival runs through Sunday, May 11th and here are five can't miss selections from the rest of this year's line up!
In addition to being Hannibal’s most self-reflexive hour, “Naka-Choko" features a really steamy sex scene that takes place in two separate rooms and involves four humans, a theremin, and a Manstag.
In “Shiizakana” we are asked to forget the fast paced, twisty-turny, Will Graham-on-trial arc that velocitized our television watching appetites earlier this season, and to get used to the emotional and psychological contemplation of the now classic Hannibal as an episodic nightmare format.
In “Su-Zakana” the cocoon constructed of mystery novel pages, fond pop-culture memories, Hollywood disappointments, and countless other symbols that once encased Hannibal has cracked open, and out of it has come a new and unpredictable kind of butterfly.