When it comes to understanding exactly what to expect from Hannibal, the two most important characters are symbolic representations of who Will Graham and the titular serial killer are not. At least not anymore.
“Takiawase” is as close as we will ever get to a Jimmy, Brian and Beverly episode. Because of that it is hilarious at times, but that doesn’t prevent it from being stomach churningly disturbing, perfectly thrilling, tearfully heartbreaking and as thematically tight as a well tuned pressure cooker.
“Hassun” is perfectly distilled Hannibal. It takes the conventions of a well established television format - the courtroom procedural - and mutilates it into a nightmarish message about the kind of love that compels you do horrible, violent things.
The great mandala that is Bryan Fuller’s Hannibal is only just beginning to reveal itself. We know slightly more than the characters about the overall design, and this new territory will be adding a different nightmarish colour to our palate.
Hannibal’s greatest strength, the one that produces the most gut-wrenching moments, is the most viscerally sterile: Hannibal Lecter and Will Graham in a room trying to destroy each other while falling irretrievably deeper into a mad sort of love.