A film lover herself, Isabelle Huppert has often been drawn to roles because of directors, seeking out masters with impressive filmographies while also initiating collaborations with newcomers in whom she recognizes a spark.
Available for the first time in a widescreen director's cut, Shout Factory reveals how Michael Cimino's 1987 mafia flick The Sicilian was almost great.
As the 1970s came to a close, many of the best filmmakers of the past century nearly had their careers ruined as studios asserted more control over them during the emergence of blockbuster cinema. Here we take a look at some of those special cases: Scorsese's New York New York, Friedkin's Sorcerer, Spielberg's 1941, Cimino's Heaven's Gate, Altman's Popeye, and Coppola's One from the Heart.
This week's archival home entertainment column looks back at Michael Cimino's infamous box office flop Heaven's Gate, the strangely forgotten about Steven Spielberg hit Catch Me If You Can, and the classic noir The Postman Always Rings Twice.