Paul Thomas Anderson

The Master Review

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The Master might be a movie of uncertainties, but it’s guaranteed that it will be the most widely discussed movie of 2012. Easy to admire, yet made in such a way that defies full comprehension (at least in a single viewing), folks will line up to spit out grand statements or theories about it’s greatness while haters will delight in tearing it down as a big beautiful beast of a movie signifying nothing. It reaffirms Paul Thomas Anderson's status as easily being one of the most intriguing (perhaps frustratingly so for some) directors around today.
The Master - Featured

TIFF 2012 Reviews: Part 6

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As TIFF 2012 finishes up its first weekend, our ongoing coverage looks at The Master, To the Wonder, High Park on Hudson, End of Watch, Aftershock, Sightseers, The Crimes of Mike Recket, No One Lives, and Midnight's Children.