Showcasing some of the best of Canadian horror, from low-budget flicks to major productions and everything in between, we have something for everyone.
Bruce McDonald's new film is an all-you-can-eat buffet from weirdsville.
As part of the Toronto Underground Cinema's "Good Canadian Cinema" series, we are proud to present director Bruce McDonald's Pontypool which has not only solidified its place in Canadian cinematic history, but is also very quickly becoming a cult hit around the world. Joining us for this special evening, co-presented by Rue Morgue and Chizine Publications, will be the stars of Pontypool famed Canadian actor Stephen McHattie and actress Lisa Houle. We will also be joined by the author of the novel Pontypool Changes Everything and the writer of the film, Tony Burgess.
Here is the deal. There is a feeling in this country that people just don't care about English Canadian films. That we would rather watch any crap that the US slams down our throats then a decent English Canadian flick. We here at the cinema always think hard about showing Canadians films or not. We just aren't sure people will actually come out to see them. The first and second wave of Canadian Cinema films has been announced!
When was the last time you saw a good Canadian film? How many Canadian films can most people even name? Maybe that’s because unlike music and television, there are no government enforced quotas for Canadian content in our movie theatres, allowing Hollywood to dominate our screens. the city’s newest rep theatre, the Toronto Underground Cinema is taking long overdue measures to remedy this. Starting this Thursday, the Underground is dedicating all 8 of its weekend screenings to great Canadian films.
Directed by Bruce McDonald (Roadkill, Hard Core Logo, Pontypool), Trigger tells the story of Vic (Tracy Wright) and Kat (Molly Parker), childhood friends who once had an extremely successful rock band until on stage argument signaled their demise. Ten years later, Kat works in the music industry in Los Angeles and Vic is still in Toronto. Kat returns home to attend a benefit concert and convinces Vic to accompany her. Through the evening, the two women battle each other and their inner demons. Which of them is happy? Can you go back to where you were or are some bridges burnt beyond repair?