With elements of Misery, Grey Gardens and Shrew’s Nest, this minimalist feature is a tightly wound chamber piece thanks to its trio of stars.
It’s a sweltering late July afternoon, but I’m still sitting down over a cup of warm tea at Canteen in the lobby of the TIFF Bell Lightbox and talking to Colin Geddes the day after most of his choices for the heavily watched and buzzed about Midnight Madness and Vanguard sections had been announced. (Really […]