That Shelf spoke to visual effects legend Robert Legato prior to the release of The Lion King on Blu-ray, discussing how this billion-dollar smash came digitally to life.
2011’s THE TAINT is a bad taste smörgåsbord, gleefully crossing the line at every opportunity with its unique mixture of quirky humour, bodily fluids, shockingly slick FX, and a tremendous synth soundtrack. But IS IT ANY GOOD?
Doug Tilley reviews Charles Band's Metal Storm: The Destruction of Jared-Syn (1983) as part of his Empire International Pictures retrospective!
To celebrate TIFF's upcoming Magic Motion: The Art of Stop-Motion Animation film retrospective we've assembled a list of some of the most important, impressive and interesting moments in the history of stop-motion animation.
We got a chance to get a preview of the TIFF Bell Lightbox's newest film related exhibit taking a look at the work of X-Men make-up effects artist and Ontario native Gordon Smith and talked to him briefly about his own origins and working with Bryan Singer.
Elemental Magic Workshop: an organic approach to special effects animation - master class with Special effects animator, Disney veteran and author, Joseph Gilland.
When I was 10 years old my mother introduced my brother and me to Ray Harryhausen. We watched Jack the Giant Killer, The 7th Voyage of Sinbad, Jason and the Argonauts and other films featuring Harryhausen’s amazing stop-motion effects. By this point in my life I was already well versed in the works of George […]