SXSW 2019: The Highwaymen Review
Netflix's latest original movie The Highwaymen packs in the star power but does it live up to the thrilling tale of the hunt for Bonnie and Clyde?
SXSW
SXSW 2019: Booksmart Review
Director Olivia Wilde's Booksmart is an endearing teen break-up and coming-of-age film rolled into one.
SXSW 2019: Salvage Review
Director Amy C. Elliott examines the Yellowknife tradition of scavenging the local garbage dump in her new documentary Salvage , which just had its SXSW premiere.
SXSW 2019: Who Let The Dogs Out Review
Brent Hodge's documentary Who Let The Dogs Out examines not only what makes a hit song a hit song, but what makes us human.
SXSW 2019: Jordan Peele Cements Reputation With Humorous, Horrific US
Lupito Nyong'o shines in Jordan Peele's run-for-your-lives scary film US – but does it live up to the heightened expectations?
Jinn Review
Director Nijla Mu'min's coming-of-age drama Jinn isn't the most polished film to come out of SXSW this year, but it is one of the most promising.
Noël Wells on Mr. Roosevelt, the Meaning of Cats and Film, and What’s on her That Shelf
We recently spoke with Noël Wells about her directorial debut Mr. Roosevelt , self-reflective millennials, the meaning of cats, shooting on film, and, of course, what's on her That Shelf.
Interview: E.L. Katz
We talk to E.L. Katz, director of the black comedy Cheap Thrills about why he made this is first film as a director, how he second guesses himself more as a writer, why the opening of the film is almost purposefully slow, the art of escalation, how his two leads essentially became method actors, why the set was physically uncomfortable to be on, and what it’s like trying to create ”a human cockfight.”
