It probably doesn’t need a review or a re-evaluation of any kind (which is why this isn’t really classified as a review), so consider this a message to all of you in Toronto that Alfred Hitchcock’s wonderful Dial M for Murder will be screening at the TIFF Bell Lightbox this week in its original 3D, albeit digitally projected with a pristine 4K restoration. For those of you who don’t live in Toronto or those who want to own it, you can buy the 3D Blu-ray on October 9th. But might we persuade you, though, to go see it on the big screen?
For our final round-up of TIFF 2012 reviews we take a look at some great stuff yet to come and some films we're doubling back on with reviews for The Paperboy, Song for Marion, Frances Ha, Room 237, The ABCs of Death, Ghost Graduation, The We and the I, Imogene, Iceberg Slim: Portrait of a Pimp, Outrage Beyond, Come Out and Play, The Lesser Blessed, and The Bay.
Following a much earned day off from posting that saw us watching even more movies and preparing more interviews, we return with part 8 of our TIFF 2012 coverage with looks at The Lords of Salem, Zaytoun, Reality, Passion, Byzantium, The Act of Killing, The Suicide Shop, and Hellbenders.
As TIFF 2012 finishes up its first weekend, our ongoing coverage looks at The Master, To the Wonder, High Park on Hudson, End of Watch, Aftershock, Sightseers, The Crimes of Mike Recket, No One Lives, and Midnight's Children.
With opening day of the 2012 Toronto International Film Festival now upon us, Dork Shelf's coverage rolls on with looks at Stories We Tell, On the Road, The Hunt, Peddlers, Tower, Lore, 90 Minutes, and Blackbird.