Big Little Lies Season 2 Finale Review
The second season of Big Little Lies concludes with a somewhat lacking hour that encapsulates both this season’s strengths and weaknesses.
The Farewell Review
Lulu Wang’s funny, thoughtful, and life-affirming feature, The Farewell, is one of 2019's best movies.
Fantasia 2019: Swallow Review
Swallow was not afraid to hold back when it comes to disturbing subject matter, but it doesn't simply exist to shock its audience with gratuitous amounts of gore.
The Lion King Review
The Lion King pushes VFX technology to the breaking point to create a visually dazzling re-imagining of one of Disney’s most beloved films.
Fantasia 2019: Come To Daddy Review
Come to Daddy follows Norval (Elijah Wood), a man who decides to visit his estranged father (Stephen McHattie) in the middle of nowhere after receiving a strange letter.
Fantasia 2019: Little Monsters Review
While Little Monsters is easily watchable and entertaining, there just isn't anything great about it. It's a passable horror movie, but we can't say it works very well.
Fantasia 2019: Porno Review
Porno is a slasher flick that features catholic teens and porno demons, which is all you need to know.
Big Little Lies Season 2 Episode 6: “The Bad Mother” Review
Real world behind the scenes drama may have overshadowed this week's Big Little Lies, but that doesn't mean the latest episode's revelations have any less weight.
Good Boys Movie Review: Hysterical and Embarrassingly Accurate
Universal's new Seth Rogen-produced comedy Good Boys features the most foul-mouthed Jacob Tremblay you could ever imagine while still remaining heartfelt coming of age movie.
Fantasia 2019: The Art of Self Defense Review
It seems harder and harder to find movies that can balance style and substance, fortunately Riley Stearns' new film The Art of Self Defense – starring Jesse Eisenberg and Imogen Poots – does so perfectly.
Big Little Lies Season 2 Episode 5: “Kill Me” Review
In spite of how much the mothers of Big Little Lies may want to protect their children from the harshness of the world around them, they will inevitably discover that darkness for themselves.
The Last Black Man in San Francisco Review
Director Joe Talbot's The Last Black Man in San Francisco portrays the relentless crime of community disintegration at the hands of gentrification.
Parental Guidance: Spider-Man: Far From Home
What age group is the first post-Endgame MCU movie perfect for? Should you take your kids to see it?
The Fireflies Are Gone Review
Quebecois films are difficult to catch in Toronto these days, so it’s worth acting quickly to see Sébastien Pilote’s richly understated drama The Fireflies Are Gone (La disparition des lucioles) while it's at TIFF.
Midsommar Review: Stone-cold Savage
Aster delivers a sinister folk horror tale that doubles as history’s most disturbing breakup movie.
