A Field in England Wavelengths Director: Ben Wheatley The field in question of Ben Wheatley’s new film is quintessentially English: all chilled vegetation and smoky mist. In other words, it’s plenty bleak and disquieting without the aid of digital monochrome and arrhythmic editing. But it certainly helps, and A Field in England plays its spare […]
We talk to ReFocus Film series founder Jeff Wright - who screens the coal black comedy See You Next Tuesday at 9pm on Thursday, August 29th for free with a director and star Q&A at Toronto's Revue Cinema - to talk about he formation of the series, his booking process, his amazement at how series alums have seen their careers take off in recent years, why the series is free, the film that got away from him, and, of course, his most recent selection.
Dark, strange, and deeply hilarious, Ben Wheatley's Sightseers helps to solidify the director as one of the most intriguing talents from the UK and the world today.
For our final round-up of TIFF 2012 reviews we take a look at some great stuff yet to come and some films we're doubling back on with reviews for The Paperboy, Song for Marion, Frances Ha, Room 237, The ABCs of Death, Ghost Graduation, The We and the I, Imogene, Iceberg Slim: Portrait of a Pimp, Outrage Beyond, Come Out and Play, The Lesser Blessed, and The Bay.
As TIFF 2012 finishes up its first weekend, our ongoing coverage looks at The Master, To the Wonder, High Park on Hudson, End of Watch, Aftershock, Sightseers, The Crimes of Mike Recket, No One Lives, and Midnight's Children.
