Director Panos Cosmatos' Mandy offers viewers an opportunity to not only revel in his surreal visual style but to fully embrace the lunatic performance by Nicolas Cage.
Director Panos Cosmatos' Mandy offers viewers an opportunity to not only revel in his surreal visual style but to fully embrace the lunatic performance by Nicolas Cage.
In honour of the huge David Cronenberg exhibit and retrospective currently happening at the TIFF Bell Lightbox in Toronto (running until January 19th), Dork Shelf talks to a plethora of film writers, personalities, programmers, podcasters, and filmmakers about what their favourite Cronenberg films are.
The Toronto Film Critics Association has named the winners in their annual survey of film critics within the city and Paul Thomas Anderson's The Master came out a huge winner. Here's this year's results including a couple of surprise winners and the nominees for the Rogers Best Canadian Feature award to be determined on January 8th.
Now that TIFF has ended, our DVD reporters can finally start sifting through their piles of DVDs with looks this week at Cabin in the Woods, Beyond the Black Rainbow, Snow White and the Huntsman, Safe, Piranha DD, The Samaritan, Damsels in Distress, and We Have a Pope.
Purposefully trippy, artful, and really well done for a low budget debut feature, Beyond the Black Rainbow feels evocative of John Carpenter, Alejandro Jodorowsky, and Daft Punk all at the same time.
Beyond The Black Rainbow is a deeply bizarre science fiction/horror film set in an alternate 1983 in a style of how that future was pictured in the 70s. First time director Panos Cosmatos recreates the aesthetic of late 1970s sci-fi with such mind-boggling attention to detail that it would be easy for an unsuspecting viewer to assume they stumbled onto a lost film from that era. We got a chance to chat with Cosmatos about the conception and production of his remarkable debut, as well as growing up in a house with the guy who made Rambo.