Terry Gilliam's The Zero Theorem is a sprawling, thoughtful mess of a movie that tosses a cavalcade of ideas (both visual and philosophical) at the audience with almost reckless abandon.
Shoddy and forgettable, Epic might be one of the most ill titled films ever. It seems more like wishful thinking than an actual title. It's the first major high profile misfire of the summer.
It's not Quentin Tarantino's most accomplished film, but Django Unchained benefits from a slew of excellent performances and a playful looseness that his films often forego in favour of more elaborate plot structuring.
That Shelf talks to the one and only Quentin Tarantino about his latest film Django Unchained , the bridge between Inglorious Basterds and Django, what makes an effective spaghetti western, his rumoured casting choices, shooting on a real Southern plantation, moving his production due to a lack of snow, and the potential for a revival of westerns as a genre following his film.
It’s been less than 24 hours since I watched The Green Hornet , and I’m already having a hard time forming a strong opinion on it. I’ve definitely never seen a movie try so hard and turn out so immediately forgettable. I at least have to give the movie moxie points for doing something (or rather, everything) differently. The Green Hornet eschews the now-formulaic Hollywood superhero blockbuster formula in favour of (seemingly) bold choices.