Despite a suitably gritty start, the Toronto-set neo-noir The Samaritan quickly gets bogged down in inconsistencies and plot twists cribbed from other better films.
We talk to The Samaritan director David Weaver about how the noir films of his youth crafted his latest Toronto shot project, working with Samuel L. Jackson, and the fine art of crafting a film about a con.
Thanks to a talented cast and a pointed script, & Sons makes a good, but not quite remarkable, addition to the pantheon of family dramas (with a twist).
An interview with Gary Oldman about diving into his dishevelled spy Jackson Lamb on season six of Slow Horses and learning the character as the series evolves.