film

Men, Women, & Children Review

An overstuffed Crash like tale of teens, adults, and the internet, Jason Reitman's latest is too all over the place to succeed.

Mommy Review

While Mommy continues to showcase Xavier Dolan's talents as a filmmaker, it also shows him as a masterful storyteller.

Gone Girl Review

It's hard to talk about David Fincher's Gone Girl without spoiling it, but rest assured that it's a blast.

My Old Lady Review

75 year old playwright Israel Horovitz's first big screen directorial outing My Old Lady probably should have stayed on stage.

This Week at The Bloor: 10/3/14

Looks at beloved/controversial TV writer Dan Harmon and the world of high end art forgery roll into The Bloor for a really fun week of documentaries.

Left Behind Review

Not even Nicolas Cage can help make the Christian thriller Left Behind into anything more than a dull, rote, tedious experience.

The Two Faces of January Review

The directorial debut of screenwriter Hossein Amini, The Two Faces of January, is a well acted and looking thriller that never quite brings out the most in its source text.

Kite Review

Kite is a low budget adaptation of a classic anime that couldn't hold up against a light breeze.

Annabelle Review

Boring to the point of apathy, Annabelle is cliched, stock horror that's poorly written and told with little life or energy.

Tusk Review

It's still a wealth of untapped potential, but Tusk is still Kevin Smith's most intriguing film in close to a decade.

The Good Lie Review

Nothing at all like the trailer and poster marketing it, The Good Lie is an exceptionally well rounded look at the refugee experience.

Wes Craven: The Master of Modern Horror

In honour of a mini-retrospective in his honour starting this week at the TIFF Bell Lightbox, we look at the career of Wes Craven, the best horror director of his time.

Delivery Review

The considerably overstuffed but still likable documentary Delivery looks at the fears of being an expectant parent and a novice stand-up comic at the same time.