Krux Review: TIFF 2026
Tony Vahl’s Krux is a haunting, deeply affecting portrait of an isolated German village in the final days of World War II.
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Darlene Love Interview: TIFF 2026
Jason Gorber talks with legendary singer Darlene Love about her amazing career AND her latest project, the doc I Know Where I've Been.
The Uprising Review: A Muddled Political Allegory
Paul Greengrass's The Uprising is content to ride the coattails of modern political discourse but doesn’t engage with the context meaningfully.
Wild Horse Nine Review: TIFF 2026
Martin McDonagh returns to familiar themes and formulas in his latest, Wild Horse Nine, featuring a tour-de-force performance by John Malkovich.
How We Stand Review: TIFF 2026
How We Stand uses the stories of three sisters to expose historical injustices against Indigenous peoples in the United States.
All of a Sudden Review: TIFF 2026
Ryûsuke Hamaguchi's All of a Sudden is a moving film that ranks among the year's best.
The Unknown: TIFF 2026
Arthur Harari's The Unknown is an existential head-spinner, both intriguing and uneven.
We Are All Strangers Review: TIFF 2026
While We Are All Strangers documents a rapidly changing Singapore, Anthony Chen relies too heavily on despair, leaving the film less fulfilling.
Fjord Review: TIFF 2026
Cristian Mungiu's script is able to ride the line between cultural extremes and lands at a basic lesson on humanism
Hombre al agua Review: TIFF 2026
A Cuban lifeguard marries into wealth and chaos in Gael García Bernal's funny, overstuffed TIFF dramedy
Toy Gun Bandit Review: TIFF 2026
A teenage prank turns into a real-life bank robbery in Toy Gun Bandit, a riotous, fast-paced Quebec coming-of-age film at TIFF 2026
Coward Review: TIFF 2026
From the horror of trench warfare to the comfort of a concave chest, Coward is another heartbreaker from Lukas Dhont.
By Any Means Review: A Flat Take On An Important Issue
By Any Means is a gorgeous movie that addresses important discourse on racial injustice, but doesn't leave a lasting, positive impact.
Onslaught Review: Adam Winguard Returns
In Onslaught, Adam Wingard distills all of his favourite '80s influences into one violent, gnarly exploitation flick.
The Runner Review: Plot Holes Aplenty
The Runner is a tired reiteration of movies like Run Lola Run and Speed with little visual allure, many plot contrivances and poor pacing.
