This Week at The Bloor: 9/26/14
Four powerhouse documentaries play at The Bloor this week (including two of the year's best) alongside a plethora of special events.
film
The Equalizer Review
The Equalizer is a depressingly dull action thriller told in the most wrongheaded way possible.
The Boxtrolls Review
While it isn't the best film from LAIKA, The Boxtrolls still excellently showcases the animation studio's love for creativity.
Moebius Review
F**k this movie.
20,000 Days on Earth Review
The hard to peg down 20,000 Days on Earth deftly blends artifice and documentary truth in its look at musician Nick Cave.
Believe Me Review
Believe Me is a faith based comedy that succeeds primarily because of all the confidence it has in itself.
Pride Review
Pride is a mash of odd couples and triumphs over oppression that satisfies, but predictable archetypes and glossed-over challenges are a drawback.
The Skeleton Twins Review
Bill Hader and Kristen Wiig give great performances in the otherwise somewhat standard American indie film The Skeleton Twins.
Frontera Review
Frontera is a well acted and constructed overlapping tale of lives coming together in the world of illegal Mexican/American immigration.
Interview: Andrew Scott and Ben Schnetzer
We talk to actors Andrew Scott and Ben Schnetzer about their roles in the British historical ensemble comedy-drama Pride.
This Week at The Bloor: 9/19/14
The documentary Code Black looks inside on of the busiest hospitals (and bureaucracies) in the world.
A Walk Among the Tombstones Review
A Walk Among the Tombstones is a better class of nasty thriller and a better class of "Liam Neeson being a badass" film.
The Maze Runner Review
The Maze Runner is the worst, most cynical, and most morally suspect young adult adaptation ever created.
Metro Manila Review
Metro Manila is made with good intentions and craft, but little idea what to do with them.
Honeymoon Review
If it had a better final third, Honeymoon would be a great horror film and relationship drama in one package.
