The latest episode of HBO's Westworld explores what happens when an android develops a messiah complex.
If you can get past the somewhat awkward and out of place first act, The Railway Man is worth it overall. It’s a compelling enough drama, but it keeps hinting at a lot more depth that never quite surfaces.
It makes perfect sense why Universal largely declined to press screen their $175 million budgeted and largely already written off 47 Ronin. It's the new Cutthroat Island, only less fun, which really only means that Carl Rinsch's debut feature somehow sucks at the very art of sucking.